
»Monolith TM« (2002) by Torben Ribe.

“The Tree”, a 10-meter high, real magnolia tree planted in the center of Chile’s National Stadium. By Sebastian Errazuriz.

“Chemical Misunderstanding” (public intervention in Istanbul/Turkey) by Gustavo Artigas.

»Camouflage Church« (2006)

»There Will Be No Miracles Here« 2006

»The Lamp of Sacrifice« (286 Places of Worship, Edinburgh 2004) by Nathan Coley.

»Flux«, 2005. A 25 mm diameter mercury vapour tube in white, mounted in a standard 1500 mm flourescent lamp fitting.

»Field«, 2004. 1301 fluorescent light tubes powered by the electromagnetic field emitted from the overhead power lines. By Richard Box.

»Page 181 of Mrs. GILLRAY«, 2007 by Mathew Hale shown at Clockworkgallery. Clockworkgallery uses the public advertising space of a turnable lightbox at Mehringplatz/Berlin to present 12 solo exhibitons a year.

»Space Junk Spotting« 2006, is a project composed of mechanical and programming equipment linked to a database at a U.S. government-owned space observatory; this database contains the fullest possible data on the extent of the pollution and presents remarkable scientific methods for determining the position of space junk. In this way, the wider Internet public is offered a folder of information about space debris, which is strewn across the popular three-dimensional interface Google Earth. The tactical potential of this catalogue is the possibility it provides for finding a creative and constructive solution to the problem of reusing material whose position in usable orbits is already determined, without the enormous initial costs that arise whenever rockets are shot into space. By Saso Sedlacek.

»Beggar 2.0« another project by Saso Sedlacek is a robot for the materially deprived in Tokyo. It is made of old electronics and computer spare parts. The original 1.0 was tested in Slovenian shopping malls where it is forbidden to beg, but no such rule was made for robots. The new upgrade version of Beggar robot made at IAMAS institute in Japan was tested in the beginning of July 2006 on Tokyo streets where begging isn’t really a frequent phenomena and where interface communication is ubiquitous.Video.

“Saunabaari”, 2003. Petra-Maria Saarinen and Harald Melrose Turek have built a sauna including shower & changing room into a 10 x 8 foot portacabin. The portacabin was placed in the City Centre of Glasgow. The woodburning sauna-stove was heated up and the sauna was open to the public for one night only.
Interactive, multiple installations made up of various locations, distant from each other, coordinated across the mobile phone network.
»Programmed machines, partial vision« (computers,cables, silicone). By Maurizio Bolognini .

“Park View Hotel” by Ashok Sukumaran. Using specially-built pointing devices, audiences in the park can access interior hotel spaces, by “pinging” them optically. Once found and hit (two different modes on the scope) the interiors release their properties into a wireless network… the color of the interior propagates stochastically, leaking out of the building skin, jumping across the street, and entering some street-lights in the park below.