“O-Ton”, 2002 by Christoph Priglinger. Quotations of soccer-players mown into artificial lawn.
»Radio uk WM«, 2006, installation with a model of a football stadion, with all the games of the World Football Championship 2006 transmitted live over radio. By Irena Eden and Stijn Lernout.
“This Is Not A Loop” by Niall Flaherty. Sound loop digitally generated from Rene Magritte’s painting “The Betrayal of Images“, 1929.
»Dadameter«, 2002-2008, Global index of the decay of the aura of language, By Christophe Bruno.
“Untitled (Line after Nauman’s The True Artist Helps the World By Revealing Mystic Truths)”, 2004 by Peter Coffin.
“House cats” and
“Still perfect lovers” – After Felix Gonzalez-Torres. Pair of cellophaned, unconsumed clocks. By Jack Falanga.
»The Gap Between Landscape And Portrait (after Wearing)«, 2006, and
»Tarzan (Onomatopoeia)«, 2005, by Rodrigo Oliveira.
“Movement #1913–2007” by Michael Gumhold. See also “Readymade Recycled” by Michael Marriot.
»Sans titre (Courtney Love, Gérard Depardieu, Nelson Mandela)« by Ingrid Luche.
“Balloon, London, after Jeff Koons” and “Nat, after Nan Goldin” from the series “Afters” by Thomas Lélu.
“Reenactment of Chris Burden’s Shoot” from the series “Synthetic Performance in Second Life” by Eva and Franco Mattes aka 0100101110101101.ORG. See also “Shoot” by Chris Burden.
Stills from »The Simpson Verdict«, 2002 and »Two Stolen Honeymoons Are Better Than One«, 2006 by Kota Ezawa.
“The Number of Days From Seeing a Work by On Kawara to Seeing a Work by Dan Flavin” by Uffe Holm.
“The Problem of Possible Redemption” by Harrell Fletcher is a video adaptation of James Joyce’s Ulysses shot at the Parkville Senior Center, Connecticut, with the seniors reading the lines from cue cards.
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