“IMan Prototypes”, 2001 by Ricky Swallow.
“Still Alive” (measures one-to-one to the artist skull) by Kris Martin.
“Google Image Search“, 2004. Working from a list of around 70 words, covering a wide range of references and pre-conceived notions, Google’s image search feature was used to find the 20 most viewed images for each word, which were appropriated to create 60 second slide show-style videos. By Sandy Smith.
»Black Square on Red Square«, 1992. A performance by Irwin in cooperation with Michael Benson, in which a square of black cloth, 22 meters to a side, was unfurled on Moscow’s Red Square, in homage to Kazimir Malevich and suprematism.
»A cube Sol LeWitt photographed by Carol Huebner using nine different light sources and all their combinations front to back back to front forever« (2000) and »Altered to suit (Sol LeWitt incomplete Cube 5–9, 1974)« (2004) by Jonathan Monk.
»Autoportraits-Robots«, 2005. By Berra Leandro. See also Sonja Feldmeier and Oliver Laric.
Two of “13 captured telephone conversations – all one minute long” (machine embroideries) and
“Ground Plan” – the world as an architectural plan by Louisa Bufardeci.
“Untitled”, “Jerusalem, Western Wall”, “Brandenburg Gate Berlin November 9, 1989″ and “Tianamen Square Beijing China June 4, 2006″ by Daniel Josefsohn.
“Resonating-With-Light” (Video) by Edo Paulus is an installation that consists of multiple small electronic units in a natural environment with sunlight. Each unit collects solar energy and transforms this energy into a repetitive bouncing of itself onto a metal tube, thus creating a kinetic and acoustic reaction to sunlight.
“Scrollbars” (Video) by Edo Paulus and Jan Robert Leegte.
A poster designed with reference to colours relating to the history of Cinema by Martin Frostner.
»Artist Clothing« lightboxes designed by Martin Frostner for Lena Malm and Charlotte Enström.
“1,5l PET water bottle transformed to a 0,5l bottle and filled with local tap water from Berlin”, “Ikea DIY”,
“Coca Cola Condensation Cube” (refers to Hans Haacke) and “Closed Biosphere” by Tue Greenfort.
»Character Reference« opens January 18 (6-8pm) at Bryce Wolkowitz Gallery (New York) presenting works by MTAA, Lee Walton, Marina Zurkow, Julian Opie and Oliver Laric, curated by Caitlin Jones.
»Believe« (Levitation in the Studio) 2002 and »Untitled« (Vulture in the Studio) 2002 are two of three videos taking place in João Onofre’s Lisbon studio. »Believe« pits the eternal power of magic against technology by inviting a traditional magician couple to perform a levitation in the artist’s studio. In (Vulture in the Studio) the wild animal climbs onto the tables mounted on easels that enclose the studio space, nibbling on the sheets of paper pinned to the wall as well as the books and catalogues arranged on shelves, and tries to take flight.
In the third video »Catriona Shaw sings “Baldessari sings Lewitt” re-edit, “Like a Virgin”« 2003, a passable vocalist interprets Madonna’s famous song Like a Virgin, but with altered lyrics: excerpts from Sol Le Witt’s “Sentences on Conceptual Art” 1969, which had already been sung by John Baldessari in 1978. Accompanying the video is an extended version original video soundtrack was released. Vinyl record, edition of 20 pieces.
»Instrumental Version« 2001, features the Chamber Choir of Lisbon, performing an acappella version of “The Robots,” an old electronic favorite from Kraftwerk’s 1978 album Man Machine. Vinyl record, edition of 20 pieces. All works by João Onofre.
“Neverland“. Michael Jackson’s eyes from his “Live from the Neverland Ranch” broadcast 1993.
“Nostalgia is Fear“. An artificial snow machine randomly activates with or without the viewer standing in the headlights of the car. Works by Jordan Wolfson.
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