VVORK

“Untitled (Line after Nauman’s The True Artist Helps the World By Revealing Mystic Truths)”, 2004 by Peter Coffin.

“Untitled”, 2006 and “Arista Vacia (for Jorge Otezia)”, 2007 by Anselm Reyle.

»With A Free Smile«, 2007 by Mircea Cantor.

Cabinet #6, #4 and #5, 2005, acrylic on stretched canvas, by Kaz Oshiro.

“Falling off” (Installation View) by Anders Nordby.

“Die Farbe der Meere (The color of the seas)” by Kirsten Pieroth. Water samples from the Red Sea, the White Sea, the Black Sea and the Yellow Sea.

From “Rhetoric Works & Vanity Works & Other Works” by Joanne Tatham and Tom O’Sullivan.

“Stack” by Florian Neufeldt.

»Standing waves«, 2004 by Ara Peterson.

»Unpainted Sculpture«, 1997 by Charles Ray.

“Objet Trouvé” – Apollo 11 on a scale of 1:1 (with Lutz-Rainer Müller) and

“Partially Painted Heap of Wood” by Jan Freuchen.

»Hourglass rise and fall«, 1996 by Reico Yamaguchi.

“Untitled” and “Untitled (Carrier)” by Jone Kvie.

»Anger Bumps«, 2007 by Erwin Wurm.

»Sophie« by Xavier Veilhan.

»Robert«, 2006 by Dieter Detzner.

»La Scala«, 1993, designed for the theatre De Meerse in Hoofddorp. The work was named after the famous theatre in Milan. The origin of this work lies in language. La scala literally means ladder: the object placed on the roof of the theatre is a ladder of words. But the French word for ladder, l’echelle, also means ‘scale’ – the proportions of a map. This meaning evokes an idea of perspective: things that become smaller, vanishing into infinity. So doing, the ladder has been distorted and the perspective lines disappearing into the vanishing point have been emphasised. By Martine Neddam.

»Prayer Kneeler«, 2000, by Cindy Loehr.

“Remote” by Gijs van Bon.

“Gold and Ruby Skull” (2003) by Amy Sarkisian.