VVORK

»Equilibrium« (2007) by Søren Assenholt.

»4-ever« 2006, (modified plug extension) by Chris Henry Clarke

“New Discoveries” by Oliver Kochta.

“Crystal” and “Nail” from the series “Human Advertisement” by Xavier Cha.

“Mummy” by Stephane Barbier Bouvet.

“Vanités” by Pierre Vanni.

“IMan Prototypes”, 2001 by Ricky Swallow.

“Head” (coloured wool, plaster, lifesize) by Benjamin Cove.

“Where Evil Comes up Slowly Like a Flower” by Ben Beaudoin.

“Disco Inferno”, 2004 by Christoph Steinmeyer.

“For the Love of God” by Damien Hirst.

“Clear Waters”, “In the Midnight Hour” and “A Nod’s as good as a Wink ” by Steven Gregory.

“Still Alive” (measures one-to-one to the artist skull) by Kris Martin.

“You said you would always be there” and “The New Atlantis” by John Isaacs.

“Squeezed black skull” and “Blown skull” by Kosyo.

“Chess Board” by Richard Rigg.

»Good versus Evil«, 2003 by Maurizio Cattelan.

»Fin d’Histoire«, 1988 by Guillaume Paris.

»Chess Set« 2006, by Matthew Lake.

»Legacy« (2005) is a 21-foot-long rainbow made of cast street sweepings that emerges from a planter on MetroTech Commons in Brooklyn. The rainbow’s seven bands range in tone from brown to gray, and are flecked with color. They are cast from actual debris collected on seven consecutive days by the city’s street sweeping machines: dirt, grit, gravel, gum wrappers, bottle caps, socks, plastic combs, and whatever other litter the sweeper picked up during the course of a day. There is a small bronze beard that appears to be crawling out of the hole in the ground where the rainbow emerges. By Corin Hewitt.