Born to be Kings, 1997 by Daniela Steinfeld.
Tribune for a Leninist by El Lissitzky, shown at the Russian Utopia. The Russian Utopia is a compact depository of 480 architectural projects from the last 300 years of the Russian history that have never been carried out.
Painting Manufacture Unit by Roxy Paine. A spray nozzle mounted on a large moving arm travels in front of a canvas, spraying acrylic paint as it makes its pass. After a programmed amount of inactivity, which allows the paint to dry, the arm gets to work again and makes another pass.
Auto Sculpture Maker creates an endless series of amorphous sculptural blobs.
Drawing Machine floods paint into a mixing chamber and dispenses it via a spray nozzle that travels a pre-programmed course over the paper. After making its pass and releasing its paint load, the machine rests, allowing the paint to dry-before another pass is made. All three machines by Roxy Paine.
“One Minute” by Meridith Pingree. Participants generate portraits of their physical personality when they wear a strap-on video pinhole camera headband for one minute. The movement of the camera is translated into a three-dimensional line drawing and output as an object by a 3-D printer.
»Wide Boy« by Craig Fisher.
»H.A.L.« and further work from Craig Fisher’s »Misdemeanours« show at Rokeby Gallery.
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