Sustainable, a kinetic sculpture comprised of seven water gong agents that are networked via water and strive toward equilibrium according to a simple water access algorithm; by David Birchfield.
Wolfgang Fuchs is working on integrating musical instruments and hardware – with mainfocus on recordplayers – into modern musical practise.
»Power Trio« creates a sonic enviroment by mapping the fluctuations in stock prices of three music industry conglomerates to musical notes. See also NASDAQ Vocal Index.
Video still from »Interview«, 2003. A late night talk show interview is appropriated and spoken by mannequins and computer voices. By Andrew Demirjian. See also The Fuccons.
“Dionysos (#’s 1-3)”- styrofoam, sequins, pins, artificial grape leaves; “Rise (Synthesizer)” – MDF, mirrored formica, aluminium, speakers, electronics and “Untitled (Synthesizer)” – MDF, formica, aluminium, speakers, electronics. By Delia Gonzalez and Gavin Russom.
»The Sine Wave Orchestra« is a participatory sound performance project that has been started since 2002 by Furudate Ken, Jo Kazuhiro, Ishida Daisuke and Noguchi Mizuki. Utilizing sine waves (sound without any distortion and representing a single frequency) the four core members carry out performances in which members of the general public participate.
»Wichita Lineman 1:3000 Scale«, 2001. The work derives from audio data of the 70′s country and western song “Witchita Lineman” (listen) by Glen Cambell. The landscape was generated from contour maps created from computer modelling data of the original song file. Computer audio visualisation processing software was employed to reconstruct the song using a series of 2D and 3D computer generated models from which the final version was modeled in clay and cast in glass-reinforced plastic. The geology of the landscape is a direct copy of the computer model created from the the song data and gets its characteristics from the XYZ axis of time-frequency-volume. By Calum Stirling.
The picture of two trains moving in opposite directions is exposed to the continuing process of digital compression. By first importing and then exporting the material of five seconds length into the software, the information of the footage is diminished step by step until the formerly concrete image vanishes into white. “Import/Export” by Wolfgang Bittner and Florian Kindlinger.
»A/S/L (Age/Sex/Location)«, 2003 (3-screen video & sound installation, with images, text and transcripts of a simulated chat room conversation) by Raqs Media Collective.
»Model 432001«, 2006
»Present Arms«, 2002 and
»Glory Arms – Lake Placid Blue«, 2003 by Yoshihiko Satoh.
»World, Membrane and the Dismembered Body« by Seiko Mikami. The project takes place in an anechoic (echo-free) room. In this silence, you first hear the sounds inside of your body (heart and lung sounds), and then their amplified versions from audio speakers. The lag of sounds creates a gap between your mind and body. The sense of body vanishes and the fragmented senses awaken. The sounds are amplified and transformed within this space to introduce a perception-driven architecture.
“Resonating-With-Light” (Video) by Edo Paulus is an installation that consists of multiple small electronic units in a natural environment with sunlight. Each unit collects solar energy and transforms this energy into a repetitive bouncing of itself onto a metal tube, thus creating a kinetic and acoustic reaction to sunlight.
“Scrollbars” (Video) by Edo Paulus and Jan Robert Leegte.
“It is beginning” (electronically controlled electric discharge (50.000 V) plug, cable, socket) – video; “I am sick of it all!” (sound, electromechanical instrument, cucumber, plastic bag) – video;
”Conflict of interests” (drill, hoover, microchip contoller, extension cord etc.) – video and
“Something electric” (coconut, cable, microchip controller, excentric AC motor) – video. By
Krištof Kintera.
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