Sportscar motor rotating at around 800 revolutions, reduced to 33 revolutions by a gearbox, playing records on a turntable mounted to the engine block.
Bicycle playing a 7 inch record mounted to the back wheel. Both projects by Alexander Laner. Further vinyl based projects: Helmut Smits and Jeroen Diepenmaat.
»Humbug« is an installation with amplified insect sounds for a camping site.
»Lightbar« is an interactive light installation in which the public can control a display existing out of 81 light bulbs. By pressing the sensors the audience can make animations and simple games. Both projects by Roch.
»Lignes d’air« is an urban furniture installation by Dominique Leroy that captures vibrations while creating new acustic habitats.
Stuffed birds play records by putting their beak into the groove.
»loop/loop« is a recordplayer that changes its pitch depending on the walking speed.
In the instalation »in honour of a new affair«, a needle is installed above each recordplayer that connects the vinyl with the large pieces of paper. The sound of the records are being transported to the paper and the paper makes it audible. The needle constantly changes its position, due to the wind. All three projects by Jeroen Diepenmaat.
»2000 Oracle04 V1« is a machine that turns books on tape back into books. By Kristan Horton.
A quadruped robot dances to an electro-environmental soundtrack performed live by a group of singing insects in a big glass box. Small work for robots and insects by hostprods .
“Hornmassive” is a 2-ton mobile 2000-watt steel and aluminium horn sound system. It is powered by a commercial 12 inch speaker driver and it functions as a mobile audio input station that one can use to project “content” a distance of 1 km. By Matt Hope.
Not a Time Machine is an interdisciplinary project that uses dance, music and video as forms of expression. The two central elements (water and electricity) constitute the fundaments of a gestural interface. By Miha Ciglar, Mojca Kasjak and son:DA.
Instrument consisting of 126, 1950′s bakelite telephones, on 11 channels of various alternating current, controlled by midi, approx. 11 minute composition, by James Beckett.
»Ultra Sound« consists of a water filled, 90 gallon aquarium dissected by a piece of ground glass onto which a video of a musician playing a xylophone underwater is being projected. By Joe Kelly.
“The only die-hard avantgarde group of new postrock generation leading from Estonia”: Luarvik Luarvik
“Cans” and
Sign painters enamel on cow, deer, and sheep hide; modified welded pig sculpture by Denny Rollins; NYC subway tokens, coins, and bells; modified Vestax pdx 2000 record players; modified Rane tm 56 dj mixer; brass horn; amplifier; analog vinyl record; speakers; acrylic discs; vacuum motor; hide glue; gourds; rubber tubing and rubberized cloth; brass, copper, and steel; bellows and springs; wood and paint cans. “Granny” (Drum Painting Project, Version 5.0) by David Ellis.
The fashion label ____fabrics interseason positions itself and its work within an international network of electronic music, fine arts and design.
A glass shelf (10x15feet) filled with crystal glass objects was crashed down a set of stairs.
In a collaboration with the ensemble für neue musik zürich, the recorded soundscape was transscribed into a composition and performed at the Center d’art Contemporain in Geneva. Reality Hacking #202 by Peter Regli.
Electronic sounds combined with rough unprocessed voices, sung by common Ukrainian people: Zavoloka.
Sound recordings from the inside of the nuclear powerplant Barsebäck: Requiem for Barsebäck by Jacob Kirkegaard and Tobias Kirstein.
