VVORK

“Red Psi Donkey”, 2008 by Jens Brand.

»Versuchsreaktor (experimental reactor)«, 2009,

»Herterichstraße«, 2001 by Michael Sailstorfer.

»Blowjob 8«, 2009 by Wojciech Kosma.

“That place”, 2007 by Raymond Taudin Chabot.

»Full Moonlight«, 2008,

»Étude (Minor Relative)«, 2008,

»From Right to Left (Playing the Farfisa Organ and the Rhodes-Electric Piano)«, 2008 by João Paulo Feliciano.

“Olafur Eliasson”, 2009 by Matthew Draving in collaboration with Duncan Scovil. Slideshow, sound. Video.

“Stage Fight”, 2009 by Haroon Mirza in collaboration with Laura Buckley & Dave Maclean.

»The Planets«, 1984, series of six single records collected from special effects sound libraries by Jack Goldstein.

“Young Guns”, 2005 by Frances Goodman. Video. Projector, Amplifier, DVD Player, 4 Speakers.

»Pictures of car radios taken while good music was playing«, 2004 by Hans-Peter Feldmann.

“Large Dark Wind Chime (Arab Tritone)”, 2008 by Klaus Weber.

“Composition in Progress [c.i.p.]” since 2003 by Yuko Mohri and Soichiro Mihara.

“Evolving Sonic Environment”, 2005–2007 by Haque. An architectural experiment to construct an interactive environment that builds up an internal representation of its occupants through a network of autonomous but communicative sensors.

»Blowjob V«, 2009 by Wojciech Kosma.

“Wild Signals”, 2007 by Kevin Schmidt. The videoinstallation features the five-note melody that served to communicate with extraterrestrials in Steven Spielberg’s film “Close Encounters of the Third Kind”.

“Approximating a steam engine“, 2008 by Martin Pichlmair.

“Audio Kinematics”, 2006–2007 by Jost Muxfeldt.

“now vs. then vs here vs. there vs this vs. that vs me vs. you vs. us vs. them“, 2008 by Hayley A. Silverman.
Single-channel video, mirror, Powerbook G4 (DVD loop, w/sound).

»Pieta« from ascii history of art fot the blind by Vuk Ćosić.

“Lo Fi Wi Fi”, 2008 by Eilis McDonald.