The sound installation «Nach innen nach aussen», 2008 by Jason Kahn turns around the customarily accepted notion of the exhibiton space as something sealed off from the outside world.
Untitled (Lamps #5), 2005 by Idan Hayosh. Formation of high wattage lamps. The lamps’ electric current sound is looping through speakers.
Performance “Hybridsound”, 2008 by Fouad Bouchoucha and Yann Gerstberger. Video.
“Touched echo”, 2007 by Markus Kison. While leaning on the swinging balustrade sounds are transmitted through the arm directly into into the inner ear (bone conduction).
“Test Signal“, 2006 by Phil Coy. “Test Signal” involves a large video projection of Colour bars (normally used by video and broadcast technicians to verify signal accuracy) accompanied by a live choir. The Choir commences by singing the sustained tone that normally accompanies the colour bars (440hz or concert A). Their voices are picked up by a microphone and translated in real time to produce the colours of the industry standard Colour Bars.
Shedding Skin (Perpetual current for twenty-four buckets), 2008 by Nina Canell. Mp3.
»Anthem for bass-baritone or tenor solo«, 2003 intermingles and transposes various lyrics and melodic fragments from several patriotic songs: The Star Spangled Banner, My Country ‘Tis of Thee, Battle Hymn of the Republic, America the Beautiful, and The Marines Hymn. By Christopher DeLaurenti.
»displaced strata/great expectations«, 2008. Mirrors placed in the back garden of Newman House and oriented so that when viewed from the bay window in the Iveagh room, each one reflects an element of the rear facade of the building. CD players are placed at the window sill, playing a soundtrack to accompany the view. By Dennis Mcnulty.
“Solo se sei mago”, 2006 (100 kg of white confetti) and
“Plotone”, 2005 (20 air compressed tanks, 20 pressure regulators, 20 distributings, 20 timers, 20 electrovalves, 20 whistles, plastic cables) by Lara Favaretto.
“Phantom Truck”, 2007 and
“Iceburg”, 2004 (stainless steel and aluminum with sound) by Iñigo Manglano-Ovalle.
»Diverses Mobiliar«, 2004.
»Organism«, 2005, a 12 hour installation with church organ amplified into a light organ, at the St Jean de la Montmartre in Paris. By Nina Rhode.
»Remote Controlled Hand«, 2007,
»Dipping Duck Orchestra«, 2007 by Kitty Clark.
»Trial of Judas With Constant Reference to Dorothy Retallack«, 2007, tomato plants exposed to the infamous judas priest record, played backwards and forwards. By Tony Romano.
Reverse play and normal play (3 weeks later).
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