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»Genitalpanik«, 1969 by VALIE EXPORT and 2005 by Marina Abramović.




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»The hairiness is black«, 2000,

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»18 Days«, 2006, (production still from video). Remote control weapons navigated over boundary lines between China and neighbouring countries by Xu Zhen.




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“Mount Fear – Statistics for Crimes with Offensive Weapon South London 2001-2002″ (Relief 1:3,000 (1m=3km) and 1:13.6364 (1 event per km2 per 13.6364) Greatest peak is at 44.8 incidents per km2 per annum) by Abigail Reynolds.




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“Big Finish” and “Delivery Dawgz” by Brian Kenny and Slava Mogutin.




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»Game Music«, performed at surfers’ point in Santa Barbara. Music is produced by altering the sounds of the weapons from the 1st person shooter Unreal Tournament 2004. All of the recordings are made by playing the video game.

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»Capture The Artist«, 2004, by Vladimir Todorović. This five day one-on-one paintball tournament against individuals from the audience, was engaged by the artist with the idea to integrate the virtual world of gaming and the various worlds that intertwine within the gallery space.




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»The Greater Good“, 2007, plywood and assault knives, by Tom Meacham.




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»Witness Panel (Without Traces of Failure)« shows a shotgun blast in drywall.

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»Just Do It« (appr. 15.7 acres of snow) by Luke Aleckson.




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From “Ranger Challenge Series”, by Charchi Stinson.




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Sugar Approximation-Browning Pistols by Susan Graham.




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Charles Krafft