The Rhizome Digest merged into the Rhizome News in November 2008. These pages serve as an archive for 6-years worth of discussions and happenings from when the Digest was simply a plain-text, weekly email.
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Subject: RHIZOME DIGEST: 1.27.02 From: list@rhizome.org (RHIZOME) Date: Sun, 27 Jan 2002 13:11:56 -0500 Reply-to: digest@rhizome.org Sender: owner-digest@rhizome.org RHIZOME DIGEST: January 27, 2002 Content: +editor's note+ 1. Mark Tribe: 2001 Community Campaign--Final Report 2. Mary West: Net Art Commissions Reminder +work+ 3. Greg Sidal: AE Generator 0.90 +announcement+ 4. Michelle Kasprzak: Art Interface Device 5. Sal Randolph: FREE BIENNIAL 6. Eduard von lindheim: Adapter | plugin + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 1. Date: 1.25.02 From: Mark Tribe (mark AT rhizome.org) Subject: Rhizome.org 2001 Community Campaign Final Report Greetings: A few pledges and matching contributions are still trickling in, but we thought we should go ahead and announce the results of the 2001 Community Campaign. We're pleased to report that we exceeded our goal by raising $22,272.63 from 389 Rhizome members! We would like to thank each and every member who made a gift. Your support will help us maintain our current programs as the community continues to grow, and to develop new programs and services, such as a member directory, an events calendar, opportunity listings, web hosting and online education. Members who gave include Victor Acevedo, Andreas Aggelidakis, Barbara Alcayaga, Julie Alperen, Pau Alsina Gonzalez, K Alvarez, Amnesty International USA, Peter Anderson, Anonymous, Cory Arcangel, Hans Christian Asmussen, Robert Atkins, Stephen Austin II, Pat Badani, Marketa Bankova, Henry Bar-Levav, Patricia Barbanell, Richard Barbeau, Nick Barker, Rick Barry, Kurt Baumann, B.A.M. Bazelmans, Ran Berdichesky, Kristin Bergaust, Sally Berger, Cecilia Berkovic, Monica Biagioli, Kristina Bielenberg, Arria & Harry Bilodeau, Bill Bly, Regula Bochsler, Benjamin Boissevain, G.J. Bots, David Bottini, Brice Bowman, Morten Breinbjerg, Anne Britton, Reginald Brooks, Brown University Visual Art Department, Chris Brown, Max Bruinsma, Kathrin Brunner, Kendall Bruns, Jason Buchheit, Ana Buigues, David & Alice Bullwinkle, Atom Burke, Chris Burke, Katie Bush, Pier Luigi Capucci, Susanna Carlisle, Josely Carvalho, Kim Cascone, Mario Cavalli, Anne Chase, Aric Chen, Chih-Min Chen, Andrew Childs, Ralf Chille, Kelly Chorpening Renwick, Lisa Cianci, Gina Cinanni, Paul Clay, Brenda Cleniuk, Kirsten Cole, Susan Collins, The Colonna Chang Family Foundation, Edward Coltman, Jane Connolly, Constant, Deanne Corcoran Achong, Melanie Crean, Lyndall Culbertson, Shaun Cutts, dada2data, John Dash, Amy Davila, Manon de Boer, Rene de Paula, Joao De Sa Bonelli, Joshua Decter, Claude Deby, Susan Delson, Michael Diamant, Abigail Doan McEnroe, Reinald Dobel, Downtown Arts Project, Scott Draves, Darrell Duane Jr., Melissa Dubbin & Aaron Davidson, Kevin Duggan, Earl M. Foster Associates, Roberto Echen, Francisco Javier Echeverria Saralegui, Sylvia Egger, Marianne Eigenheer, Angelina Eng, Christa Erickson, etoy.Corporation, Carlos Henrique R Falci, Alicia Felberbaum, Luis Fernandez Rodriguez, Cinthea Fiss, Jeanie Finlay, Are Flagan, Andrea Flamini, Lauren Fleischer, Robbert Flick, Kathleen Forde, Andrew Francois, Joan Freedman, Kevin Frost, Gisle Froysland, Tadakazu Fukutomi, Alex Galloway, Gonzalo Garcia-Perate, Don Gatterdam, Petra Gemeinboeck, Leah Gilliam, Mark Gilliland, Domiziana Giordano, Mara Gladstone, Glorius Ninth, Gwenaelle Gobe, Marian Godfrey, Kathleen Goggin, Ken Goldberg, Roselee Goldberg Jackson, Shawn Goldschein, David Golumbia, Doug Goodwin, Jean Philippe Goussot, Valery Grancher, Bella + Mark Greene, M.A. Greenstein, SH Greenwood, Margit Grieb, Petur Mar Gunnarsson, Christian Guyard, Benedict Haenggi, Clover Hale, Eathon Hall, Kenneth Hamma, Saralyn Hardy, Cliona Harmey, Laurie Halsey Brown, Jay Haynes, Phyllis Hecht, Christiane Heibach, Scott Heiferman, William Hendricks, Andrew Hieronymi, Cinque Hicks, David Hindie, Carol Hobson, Louis Hock, Tatjana Hojnik, Sarah Holloway, Gerry Hovagimyan, Brendan Howell, William Huber, Tanya Hughes, Lisa Hutton, Kim Hyunjin, AJ, Helen Jamieson, Reena Jana, Adriene Jenik, Erik Johnsen, Ken Jordan, Brian Paul Judy, Sunghee Jun, Louis Kanganis, Nina Katchadourian, David Kearford, Seth Keen, Patrick Keller, Raegan Kelly, Sarah Kenderfine, Thomas Kennedy, Cecile Kerjan, Sinae Kim, Berni King, Judith Krant, Martha + Kenneth Kreye, Ryszard Kluszczynski, Alexander Lackey, Marc Lafia, Patrick Lakey, Julie Lapalme, Julie Lazar, Cathy Lebowitz, Joseph Lefevre, Steven J. Lewis, Catherine Lord, Jessica Loseby, Margot Lovejoy, Perry Lowe, Tiffany Ludwig, Damiana Luzzi, Teoman Madra, Ginette Mailloux, Angela Main, Bonita Makuch, Matt Maldre, Tamara Maletic, Roger Malina, Gerhard Mantz, Claudio Marcondes, Cesar Martin, Santoni Massimo, Vicente Matallana, David Mather, J. Maxwell, Roger Mayer, Robert McCullough, Justin McDowell, Jane McFadden, Lora McPhail, Mikdot, Joseph Moak, Adam Mokan, Angela Molenaar, Monika, A W Morrison, Jerry Mosher, Luke Murphy, Michael Naimark, Eduardo Navas, Alan Nechols, Margarat Nee, Netomat, Inc., Huong Ngo, Haleh Niazmand, Robert Nideffer, Laura Norton, Nancy Nowacek, Keisuke Oki, Marisa Olson, M.B. Orihuela, Christopher Otto, Alun Owen, Janet Owen, Randall Packer, Mee Seo Paik, Laurel Paley, W.B. Paley, Graham Parker, Scott Paterson, Anthony Patrickson, Sarah Patterson, Ryan Patton, Christiane Paul, Ivan Peledov, Pedro Pinzolas, Marie Charlotte Piro, Dirk Platzek, Dana Plautz & John Sprietsma, Soren Pold, Matteo Poli, Andrea Pollan, Marco Poloni, I.A. Pope, Postmasters Gallery, Kit Pravda, Mike Raichelson, Sal Randolph, Kristin Rey, Catharine Riegner, Paolo Rigamonti, Richard Rinehart, Michael Ringland, Joshua Roberts, Lee Rodney, Irena Rogovsky, George Roland, Thomas Romlov, Marco Roso, Charlene Roth, Douglas Rushkoff, Linda Ryder, Hayashi Sachiko, Andy Sack, Steven Sacks, Sillvio Sand Spadavecchia, Laurent Sauerwein, Spencer Saunders, Nadav Savio, Tom Scarpino, Michael Schacht, Julia Scher, Jason Schmidt, Andrea Scott, Victor See-le, Andrew Shapiro, Amos Shaw, Mark Shieh, Neil Sieling, Deborah Silverfine, Sarah Siteman, Jeffrey Skoller, Neil R. Smalheiser, Mary Beth Smalley, Scott Snibbe, Yoshi Sodeoka, Amir Soltani, Joana Sousa Monteiro, Albert Sparadrap, Paddy Spence, Pernille Spence, Rina Spence, Harley Spiller, Angela Spinazze, Brian Stefans, Andrew Stern, Nathaniel Stern, Reinhard Storz, Dmitry Strakovsky, Christine Sullivan, Thomas Swiss, Beau Takahara, Tuomo Tammepaa, Marcia Tanner, Valentina Tanni, C. Thornton-Jones, Cristian Tjaben, Stefano Tolio, Myron Turner, Stephen Urice, Andrew Uroskie, Richard Vaccaro, Marc van Bakel, Pieter Van Bogaert, William Van De Mark, Tobias Chris van Veen, Bao Vo, Laura Waddington, Heather Wagner, Linda Wallace, Sarah Wang, Susan Wanklyn, Mark Watkins, Martin Wattenberg, John Weber, Annette Weintraub, Chris Welsh, Jeremy Welsh, Saskia Werners, Guy Westbrook, Paul White, Gregory Whitmore, Stephen Williams, Lauren Wisbauer Nuzzi, Frances Wood, Annie Wu, thegatesofparadise.com, Heather Yonker, Young-Hae Chang Heavy Industries, Andrea Zapp, Gary Zebinton, and ZKM Center for Art & Media. Sincerely Yours, Mark Tribe and the rest of the Rhizome.org crew + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +ad+ STATE OF THE ARTS SYMPOSIUM * UCLA APRIL 4-6, 2002 * RHIZOME DISCOUNT * <http://www.eliterature.org/state> ELO invites Rhizome subscribers to join leading web artists, writers, critics, theorists for the seminal e-lit event of 2002. Rhizome subscribers who register before FEB 15 2002 may register at ELO member rates ($25 discount). + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 2. Date: 1.22.2002 From: Mary West (mary AT rhizome.org) Subject: Rhizome.org Net Art Commissions Keywords: net art, interface, fund, archive This is a reminder that the deadline for proposals for the Rhizome.org Net Art Commissions is coming up on February 15, 2002. Please be sure to have your submission in by 5:00 PM EST (New York time) for consideration. Further information can be found below and on our website at http://rhizome.org/commissions. Please note that all proposals must in the form of a web site and submitted via an online form. You must be logged on as a member of the Rhizome.org web site to access this page. If you are not currently a member, you can sign up for it at http://rhizome.org/user.rhiz?action=1&new=user. Membership in the Rhizome community is free and open to the public. + + + RHIZOME.ORG NET ART COMMISSIONS CALL FOR PROPOSALS Deadline for proposals: February 15, 2002 Rhizome.org is pleased to announce the launch of its first net art commissioning program. With support from The Andy Warhol Foundation for the Visual Arts and The Jerome Foundation, Rhizome.org will commission three new net art projects (works of art that are made to be experienced online). The fee for each commission will be $5,000. Rhizome.org is an online platform for the global new media art community. We are committed to supporting the creation, presentation, discussion and preservation of art that engages new technologies in significant ways. We emphasize innovation and inclusiveness in all of our programs and activities. Artists are invited to submit proposals in one of two tracks: alt.interface or Tactical Response. Track 1: alt.interface alt.interface is an ongoing series of interface artworks that overlay Rhizome.org's online databases of text and art. These interfaces provide alternative ways to navigate and/or access the database and its content. Three alt.interface projects have been completed to date: StarryNight, Spiral and Every Image. For more information about these alt.interface projects, and to access them, please go to http://rhizome.org/interface. For this track of the commissioning program, artists are asked to propose new alt.interface projects that would function to visualize and allow access to the data in the Rhizome TextBase and/or ArtBase. These alt.interface projects will be listed and linked-to on the main alt.interface page and will be included in the Rhizome ArtBase. Before submitting alt.interface proposals, artists are encouraged to consult our "Notes on Indexing" page at http://rhizome.org/artbase/2.php3 which offers a good description of the Rhizome databasing and indexing process. All of Rhizome's indexing information for both text and art objects is contained in an SQL database. You should plan your interface accordingly. Here is a description of how our database is set up. If you have further technical questions please contact Alex Galloway at alex AT rhizome.org. Although we will provide some assistance with final integration into the Rhizome.org web site, artists are expected to develop alt.interface projects independently and without significant technical assistance from Rhizome.org. Track 2: Tactical Response Net art and tactical media have shared similar histories and aspirations. For the Tactical Response track we solicit projects that address the present political situation around the globe, particularly events relating to the terrorist attacks of September 11. We encourage artists to address the tactical dimension of specific aesthetic or technological concerns. Tactical Response projects will be listed on the main Rhizome Commission page and included in the Rhizome ArtBase. Although we will provide some assistance with final integration into the Rhizome.org web site, artists are expected to develop Tactical Response projects independently and without significant technical assistance from Rhizome.org. + How to Submit a Proposal + Proposals for a Rhizome.org Net Art Commission are accepted via an online form at http://rhizome.org/commissions. We do not accept proposals via email, snail mail or other means. Proposals will be accepted until 5:00pm EST (that's New York time) on Friday, February 15, 2002. Important: beyond the limited information provided via the online form, your proposal must take the form of a web site that includes the following key elements: + Project description (500 words maximum) that discusses your project's core concept, how you will realize your project and your project's feasibility. If you plan to work with assistants, consultants or collaborators, their roles and (if possible) names should be included. + You are encouraged, but not required, to include a production timeline and a project budget, which should include your own fee. If you have other funding sources for your project, please indicate this in your budget. + Your resume or Curriculum Vitae. For collaborative groups, provide either a collective CV or the CV's of all participants. + Up to 10 work samples. Note: more is not necessarily better. You should include only work samples that are relevant to your proposal. If you proposal has nothing to do with photography, don't include images from your photography portfolio. Please provide contextualizing information (title, date, medium, perhaps a brief description) to help the jury understand what they are looking at. The work sample can take any form, as long as it is accessible via the web. When designing your web-based proposal, please note that the jury will have limited time, so try to make your site clear and concise. When your web-based proposal is complete, fill out our online form at http://rhizome.org/commissions. The form requires the following information: + Name of artist or collaborative group + Email address + Place of residence (city, state/province, country) + Brief description of project (50 words maximum) + URL of web-based proposal + Jury + Proposals will be reviewed by a jury consisting of Steve Dietz of The Walker Art Center, Alex Galloway of Rhizome.org, Ken Goldberg of U.C. Berkeley, Christiane Paul of The Whitney Museum of American Art, and Mark Tribe of Rhizome.org. The jury will select three winners and two alternates. Winners will be contacted on or after March 15, 2002. Each winner will be asked to sign an agreement with Rhizome.org governing the terms of the commission. + Winners + Winners will be announced on March 29, 2002. Commissioned projects must be completed by October 1, 2002. + Questions + If you have any questions about the Rhizome.org Net Art Commissions, please contact Mary West at mary AT rhizome.org or 212.625.3191. http://rhizome.org/commissions http://rhizome.org/interface http://rhizome.org/artbase/2.php3 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +ad+ **MUTE MAGAZINE ART ISSUE** Peter Fend 10 page special, Andrew Gellatly on selling art online, Benedict Seymour on the closure of London's Lux Centre, Michael Corris on Conceptual art, Hari Kunzru in Las Vegas. Reviews: Don't blow IT conference, Wizards of OS, Wolfgang Shaehle's 2001 Show http://www.metamute.com/mutemagazine/current/index.htm + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 3. Date: 1.22.2002 From: Greg Sidal (gregsidal AT yahoo.com) Subject: AE Generator 0.90 Keywords: software art, generative art Announcing AE Generator 0.90, a software application that can be used to generate Abstract Expressionist pictures and produce them in the form of posters and murals using common computer printers. The software creates pictures using random generation algorithms, and prints them in sections on multiple pages which can be trimmed and assembled to fashion large posters. The software includes several features to facilitate the production process, such as on-screen print previewing and individual page selection. Screen shots/download: http://www.geocities.com/gregsidal/aegen + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +ad+ Read Peter Anders article "Anthropic Cyberspace" in the latest LEONARDO Digital Salon Volume 34 Number 5. Learn first hand about defining electronic space and give yourself space to think. Visit our web site AT http://mitpress2.mit.edu/e-journals/Leonardo + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 4. Date: 1.22.2002 From: Michelle Kasprzak (kasprzak AT cdnfilmcentre.com) Subject: Art Interface Device Keywords: performance, interactive, installation Calling all artists, educators, engineers and copyleft interventionists: The Art Interface Device (AID) is a microprocessor platform for building electronic installation art. It is a device that allows artists to process a variety of inputs and outputs for use in interactive installation and performance artworks. The associated AID web site will serve as a library of "worked" solutions to common electronic sensing, control, and interfacing requirements. From this site the AID user community can download and contribute instructions, parts lists, circuit diagrams, and other information relevant to the creation of electronic art. The AID system will be distributed under the General Public License and developed by the AID user community - that means you! More detailed information is available at http://www.interaccess.org/aid/ AID is a project of InterAccess - electronic media arts centre, and is funded by the Canada Council. http://www.interaccess.org/aid/ http://www.interaccess.org/aid/ivisit.html + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 5. Date: 1.23.2002 From: Sal Randolph (stfr AT EARTHLINK.NET) Subject: FREE BIENNIAL Keywords: underground, free, exhibition, censorship FREE BIENNIAL TO BE HELD IN NEW YORK DURING APRIL, 2002 FOR IMMEDIATE RELEASE Wednesday, January 23, 2002 NEW YORK. This spring New York will host a different kind of art biennial, The Free Biennial. The Free Biennial is an exhibition of free art in public spaces, open to any artist who wishes to participate. It will be held in New York during the month of April, 2002 (April 2 - April 30, 2002). Functioning both as an exhibition, and as a situational artwork, The Free Biennial is a project of artist Sal Randolph who says: "It's an experiment in presenting a show which is completely democratic and unedited. There's always an element of the unpredictable when you open the doors." In an increasingly crowded field of international art expositions, the Free Biennial offers a new artistic situation, both for the viewer and the participating artist. For the artist, the Free Biennial eliminates the selection process - the curator as gatekeeper or filter. It puts the question of participation in the hands of the artist, and throws open the question of value. For the viewer, the safety of traditional curatorship and spectacle is removed, allowing an experience which is more direct, raw, and intimate. The city is transformed into a place of potential where any encounter could be an artistic one. Armed with a map and the idea that art might be anywhere, the viewer is invited to step into the shoes of what Baudelaire and the Situationists called the flâneur, the wanderer, ready to experience anything. "It's a new way of looking at public space," says organizer Sal Randolph. "We've gotten used to seeing public space as either institutional or commercial. Here is a way for artists and viewers to operate together as as citizens, engaged with the life of the city. It holds out possibility for the values of generosity and civility, which we are so in need of at this time." "There's plenty of free artwork out there," Randolph adds, "but there's very little context in which to show it. It's one of the hidden art movements of our time. This show aims to provide a context which will make the underground gift economy of art more visible." Randolph's other recent projects have included "Free Words" in which 2,000 copies of a free book are being infiltrated into bookstores and libraries worldwide (for more information: http://www.freewords.org). THE FREE BIENNIAL http://www.freebiennial.org A CALL TO ARTISTS The Free Biennial is an open exhibition of nonmonetary artworks to be held in greater New York during the month of April, 2002. Any artist who wishes may participate with such works as ephemeral installations, guerilla performances, dérives, situations, giveaways, ambulatory declamations, parties, neo-happenings, apartment shows, guided experiences, screenings, projections, mail art, downloadable music, web-based work. During the exhibition, maps and schedules will be available on the website to help viewers locate and experience the participating works. Tours and events will be organized to support the show. ENTRY REQUIREMENTS Artists of all kinds are invited to participate in THE FREE BIENNIAL which will take place in New York during the month of April, 2002. Any project which is nonmonetary in nature, and which takes place in public or quasi-public space in the greater New York area any time during the month of April 2002 is eligible. Works which are not eligible include those where an admission is charged or where anything is for sale, as well as works not taking place within the time and space designated for the show (greater New York City area, month of April 2002). Web-based projects are welcome, and will be represented by a description and a URL link. Mail art projects are also welcome, and will be represented by a description and a mailing address (the address may be anywhere in the world as long as participants in New York are invited). Projects taking place in ordinarily private space (for instance apartment shows) are eligible if they are open to the public by appointment or during publicized hours. Group projects and projects organized by collectives and independent curators are encouraged. There is no deadline for participation, but if you wish your information to be included in publicity materials it must be received by MARCH 1, 2002. For inclusion in the website, information must be received by MARCH 30, 2002. To enter please visit http://www.freebiennial.org THE FREE BIENNIAL info AT freebiennial.org http://www.freebiennial.org + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 6. Date: 1.25.02 From: Eduard von lindheim (eduard AT adapter.nl) Subject: Adapter | plugin Adapter | plugin Wednesday January 30th presenting "the Light Surgeons" during the IFFR Sideshow at Off-corso The Light Surgeons. http://www.thelightsurgeons.co.uk APB [all points between] live performance This is a live expressionistic exploded documentary, taking you on a journey across the social and political landscape that is America. Using a vast array of old and new technology the light surgeons roots in club culture become manifest as they mix live digital video, film, photography and audio tracks, projecting them into one seamless and dazzling progression of sounds and images that take you or a feature length trajectory through sound, music, narrative and light. The initial performance was developed out of a recorded interview with a street philosopher, Rober Alan Weiser, who the Light Surgeons came across in Venice Beach LA. His rambling stories and anecdotes became the initial narrative anchor in this documentary journey and focused the performance around an exploration of the social and political state of America. Spoken word is interwoven with soundtracks and dj sets, as film clips and slides are displayed and manipulated live, providing visual illustrations and counterpoints to the collage images. This means each performance produces different re mixes and cuts' of the film, sometimes radically different as various visual and musical improvised elements are inserted. + LOCATION Off-corso, Kruiskade 22, Rotterdam + TIME Doors open Main hall: 20.00pm Start performance: 20.30pm End performance: 22.30pm + ENTRANCE 1 Euro + + + The doors will be closed during the performance, it is possible to join the show between the 15 min break at 21.20pm. More info at: http://www.thelightsurgeons.co.uk http://www.off-corso.nl/sideshow/index.htm http://www.adapter.nl + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org is a 501(c)(3) nonprofit organization. If you value this free publication, please consider making a contribution within your means. We accept online credit card contributions at http://rhizome.org/support. Checks may be sent to Rhizome.org, 115 Mercer Street, New York, NY 10012. Or call us at +1.212.625.3191. Contributors are gratefully acknowledged on our web site at http://rhizome.org/info/10.php3. Rhizome Digest is supported by a grant from The Andy Warhol Foundation for the Visual Arts and with public funds from the New York State Council on the Arts, a state agency. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Digest is filtered by Alex Galloway (alex AT rhizome.org). ISSN: 1525-9110. Volume 7, number 4. Article submissions to list AT rhizome.org are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info AT rhizome.org. To unsubscribe from this list, visit http://rhizome.org/subscribe.rhiz. Subscribers to Rhizome Digest are subject to the terms set out in the Member Agreement available online at http://rhizome.org/info/29.php3. |
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-RHIZOME DIGEST: 10.21.05 -RHIZOME DIGEST: 10.14.05 -RHIZOME DIGEST: 10.07.05 -RHIZOME DIGEST: 9.30.05 -RHIZOME DIGEST: 9.23.05 -RHIZOME DIGEST: 9.16.05 -RHIZOME DIGEST: 9.9.05 -RHIZOME DIGEST: 9.2.05 -RHIZOME DIGEST: 8.26.05 -RHIZOME DIGEST: 8.22.05 -RHIZOME DIGEST: 8.14.05 -RHIZOME DIGEST: 8.07.05 -RHIZOME DIGEST: 7.31.05 -RHIZOME DIGEST: 7.24.05 -RHIZOME DIGEST: 7.17.05 -RHIZOME DIGEST: 7.10.05 -RHIZOME DIGEST: 7.03.05 -RHIZOME DIGEST: 6.26.05 -RHIZOME DIGEST: 6.19.05 -RHIZOME DIGEST: 6.12.05 -RHIZOME DIGEST: 6.05.05 -RHIZOME DIGEST: 5.29.05 -RHIZOME DIGEST: 5.22.05 -RHIZOME DIGEST: 5.15.05 -RHIZOME DIGEST: 5.08.05 -RHIZOME DIGEST: 4.29.05 -RHIZOME DIGEST: 4.22.05 -RHIZOME DIGEST: 4.15.05 -RHIZOME DIGEST: 4.01.05 -RHIZOME DIGEST: 3.25.05 -RHIZOME DIGEST: 3.18.05 -RHIZOME DIGEST: 3.11.05 -RHIZOME DIGEST: 3.04.05 -RHIZOME DIGEST: 2.25.05 -RHIZOME DIGEST: 2.18.05 -RHIZOME DIGEST: 2.11.05 -RHIZOME DIGEST: 2.04.05 -RHIZOME DIGEST: 1.28.05 -RHIZOME DIGEST: 1.21.05 -RHIZOME DIGEST: 1.14.05 -RHIZOME DIGEST: 1.08.05 -RHIZOME DIGEST: 1.01.05 -RHIZOME DIGEST: 12.17.04 -RHIZOME DIGEST: 12.10.04 -RHIZOME DIGEST: 12.03.04 -RHIZOME DIGEST: 11.26.04 -RHIZOME DIGEST: 11.19.04 -RHIZOME DIGEST: 11.12.04 -RHIZOME DIGEST: 11.05.04 -RHIZOME DIGEST: 10.29.04 -RHIZOME DIGEST: 10.22.04 -RHIZOME DIGEST: 10.15.04 -RHIZOME DIGEST: 10.08.04 -RHIZOME DIGEST: 10.01.04 -RHIZOME DIGEST: 9.24.04 -RHIZOME DIGEST: 9.17.04 -RHIZOME DIGEST: 9.10.04 -RHIZOME DIGEST: 9.03.04 -RHIZOME DIGEST: 8.27.04 -RHIZOME DIGEST: 8.20.04 -RHIZOME DIGEST: 8.13.04 -RHIZOME DIGEST: 8.06.04 -RHIZOME DIGEST: 7.30.04 -RHIZOME DIGEST: 7.23.04 -RHIZOME DIGEST: 7.16.04 -RHIZOME DIGEST: 7.09.04 -RHIZOME DIGEST: 7.02.04 -RHIZOME DIGEST: 6.25.04 -RHIZOME DIGEST: 6.18.04 -RHIZOME DIGEST: 6.11.04 -RHIZOME DIGEST: 6.04.04 -RHIZOME DIGEST: 5.28.04 -RHIZOME DIGEST: 5.21.04 -RHIZOME DIGEST: 5.14.04 -RHIZOME DIGEST: 5.07.04 -RHIZOME DIGEST: 4.30.03 -RHIZOME DIGEST: 4.16.04 -RHIZOME DIGEST: 4.09.04 -RHIZOME DIGEST: 04.02.04 -RHIZOME DIGEST: 03.27.04 -RHIZOME DIGEST: 03.19.04 -RHIZOME DIGEST: 03.13.04 -RHIZOME DIGEST: 03.05.04 -RHIZOME DIGEST: 02.27.04 -RHIZOME DIGEST: 02.20.04 -RHIZOME DIGEST: 02.13.04 -RHIZOME DIGEST: 02.06.04 -RHIZOME DIGEST: 01.31.04 -RHIZOME DIGEST: 01.23.04 -RHIZOME DIGEST: 01.16.04 -RHIZOME DIGEST: 01.10.04 -RHIZOME DIGEST: 01.05.04 -RHIZOME DIGEST: 12.21.03 -RHIZOME DIGEST: 12.13.03 -RHIZOME DIGEST: 12.05.03 -RHIZOME DIGEST: 11.28.03 -RHIZOME DIGEST: 11.21.03 -RHIZOME DIGEST: 11.14.03 -RHIZOME DIGEST: 11.07.03 -RHIZOME DIGEST: 10.31.03 -RHIZOME DIGEST: 10.25.03 -RHIZOME DIGEST: 10.18.03 -RHIZOME DIGEST: 10.10.03 -RHIZOME DIGEST: 10.03.03 -RHIZOME DIGEST: 9.27.03 -RHIZOME DIGEST: 9.19.03 -RHIZOME DIGEST: 9.13.03 -RHIZOME DIGEST: 9.05.03 -RHIZOME DIGEST: 8.29.03 -RHIZOME DIGEST: 8.22.03 -RHIZOME DIGEST: 8.17.03 -RHIZOME DIGEST: 8.09.03 -RHIZOME DIGEST: 1.17.03 -RHIZOME DIGEST: 1.10.03 -RHIZOME DIGEST: 1.03.03 -RHIZOME DIGEST: 12.20.02 -RHIZOME DIGEST: 12.13.02 -RHIZOME DIGEST: 12.06.02 -RHIZOME DIGEST: 11.29.02 -RHIZOME DIGEST: 11.22.02 -RHIZOME DIGEST: 11.15.02 -RHIZOME DIGEST: 11.01.02 -RHIZOME DIGEST: 10.25.02 -RHIZOME DIGEST: 10.18.02 -RHIZOME DIGEST: 10.11.02 -RHIZOME DIGEST: 10.04.02 -RHIZOME DIGEST: 9.27.02 -RHIZOME DIGEST: 9.20.02 -RHIZOME DIGEST: 9.13.02 -RHIZOME DIGEST: 9.6.02 -RHIZOME DIGEST: 8.30.02 -RHIZOME DIGEST: 8.23.02 -RHIZOME DIGEST: 8.16.02 -RHIZOME DIGEST:8.9.02 -RHIZOME DIGEST: 8.02.02 -RHIZOME DIGEST: 7.26.02 -RHIZOME DIGEST: 7.19.02 -RHIZOME DIGEST: 7.12.02 -RHIZOME DIGEST: 7.5.02 -RHIZOME DIGEST: 6.28.02 -RHIZOME DIGEST: 6.21.02 -RHIZOME DIGEST: 6.14.02 -RHIZOME DIGEST: 6.7.02 -RHIZOME DIGEST: 6.2.02 -RHIZOME DIGEST: 5.26.02 -RHIZOME DIGEST: 5.19.02 -RHIZOME DIGEST: 5.12.02 -RHIZOME DIGEST: 5.5.02 -RHIZOME DIGEST: 4.28.02 -RHIZOME DIGEST: 4.21.02 -RHIZOME DIGEST: 4.14.02 -RHIZOME DIGEST: 4.7.02 -RHIZOME DIGEST: 3.31.02 -RHIZOME DIGEST: 3.23.02 -RHIZOME DIGEST: 3.15.02 -RHIZOME DIGEST: 3.8.02 -RHIZOME DIGEST: 3.3.02 -RHIZOME DIGEST: 2.24.02 -RHIZOME DIGEST: 2.17.02 -RHIZOME DIGEST: 2.10.02 -RHIZOME DIGEST: 2.1.02 -RHIZOME DIGEST: 1.27.02 -RHIZOME DIGEST: 1.18.02 -RHIZOME DIGEST: 1.12.02 -RHIZOME DIGEST: 1.6.02 -RHIZOME DIGEST: 12.30.01 -RHIZOME DIGEST: 12.23.01 -RHIZOME DIGEST: 06.29.01 -RHIZOME DIGEST: 12.2.00 |