The Rhizome Digest merged into the Rhizome News in November 2008. These pages serve as an archive for 6-years worth of discussions and happenings from when the Digest was simply a plain-text, weekly email.

Subject: RHIZOME DIGEST: 11.14.07
Date: Wed, 14 Nov 2007 03:26:18 -0500

RHIZOME DIGEST: November 14, 2007


1. ANAT Communications: Masterclass in street art using open source technologies
2. Kate Holcomb: call for video submissions
3. ana otero: ZEMOS98 10th edition

5. [NMF2007]: NMF2007 - SoundLAB - Edition V - soundart features
6. wessner AT Urban Computing and its Discontents

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From: ANAT Communications <communicate AT>
Date: Nov 7, 2007
Subject:Masterclass in street art using open source technologies


3-7 March 2008
Artspace AT Adelaide Festival Centre
Applications close November 16, 2007

Applications are now open for participation in a week-long masterclass
with the Graffiti Research Lab (NY).

Evan Roth and James Powderly (Graffiti Research Lab) are dedicated to outfitting street artists with open source technologies for urban communication. The goal of GRL is to technologically empower individuals to creatively alter and reclaim their surroundings from unchecked development and corporate visual culture. GRL have been touring the globe (SIGGRAPH, Ars Electronica, Numusic Festival, Art Rotterdam) demonstrating and teaching new graffiti technologies and DIY skills to diverse public audiences. Their work has been featured in the NY Times, Wooster Collective, TIME Magazine, Visual Resistance and The Village Voice. In 2006, Ars Electronica presented GRL with an Award of Distinction in Interactive Art.

Evan Roth is a media maker interested in uses of technology in popular culture and the urban environment. Evan received an MFA from Parsons where he now teaches courses on visual programming and Geek Graffiti. He is also a senior fellow at the Eyebeam OpenLab, an open source creative technology research and development lab for the public domain. He is the creator of Graffiti Analysis (video), a project that uses motion tracking, computer vision technology, and a custom C++ application to record and analyse a graffiti writer's pen movement over time. Evan's media experiments include Explicit Content Only and Graffiti Taxonomy.

James Powderly is an artist and engineer working in the field of robotics, physical computing and artificially intelligent art. James studied at New York University's Tisch School of the Arts and the Courant Institute of Mathematical Sciences, receiving his Master's Degree from the Interactive Telecommunications Program. From 2002, James worked at Honeybee Robotics where he developed technology for NASA's Mars Exploration Rover that is currently on the surface of the red planet. James has previously worked at Eyebeam OpenLab as an artist in residence, he is a partner in RobotClothes, and the co-founder of the Robotics Society of America New York City Chapter.

Download application forms from or For further information and application forms please contact Annemarie Kohn on 08 8267 5111 or akohn AT
For examples of GRL's work visit:

Presented by Carclew Youth Arts in association with the Adelaide Bank
Festival of Arts and the Australian Network for Art and Technology.

ANAT is assisted by the Australian Government through the Australia Council for the Arts its arts funding and advisory body, by the South Australian Government through Arts SA and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.

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Rhizome Needs You!

Rhizome is currently in the midst of our annual Community Campaign. We need to raise $30,000 by midnight, December 31st in order to sustain and grow our web-based programs. We're calling upon the artists, critics, curators, scholars, scientists, and general digital culture fans in our network to achieve this goal. Now is the time to become a member (it's only $25!), renew your membership, or make a generous donation. Rhizome serves an emerging field and we rely, to no small extent, on our community for support. Your contribution will seed the development of our web-based programs, such as commissions, discussion, and digital art preservation, all of which aim to increase the visibility and vibrancy of this growing field. Helping us will help make new media art history. Please support us today!

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From: Kate Holcomb <kate AT>
Date: Nov 9, 2007
Subject: call for video submissions

LUMEN ECLIPSE, a public video art project located in Cambridge, MA, is seeking submissions relating to the following themes:


LUMEN ECLIPSE is currently reviewing work from established and emerging artists. 8 motion-based works, such as film, video and animation, are showcased each month on a pair of large outdoor video displays in Harvard Square as well as in our online gallery at

Interested artists should send a link to an online portfolio of work to art AT -or- send a dvd, cd, or mini dv of your work to the postal address listed below. Email submissions are preferred. Ideal length of artworks range from 2 to 8 minutes.

Please include with your submission: 1) a short bio, 2) website and 3) a contact email address.

Submit via email to:
art AT

Submit via mail to:
ATTN: Submissions
248 Beacon Street
Somerville, MA 02143

NOTE: Hard copy submissions and portfolios will be reviewed and filed for consideration. These materials will not be returned to the applicant.

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Theatre/Video: Assistant Professor (tenure track to begin August 2008). MFA required, Ph.D. or equivalent professional and academic experience considered. Teaching responsibilities may include, but are not limited to, courses in: acting; voice/diction; on-camera performance; directing; script analysis and script writing; digital video production and editing. Other duties may include directing Theatre/Video productions; collaborating with colleagues on other productions and activities, mentoring students with their creative processes; departmental and institutional support. Qualified applicants must submit letter of interest (include email address if applicable), vita, unofficial transcripts, evidence of teaching effectiveness, recent examples of personal work and at least three letters of reference (to be sent directly by references or confidential placement file) to: Dr. Marilyn D. Hunt, Chair, Department of Communication Studies & Theatre, Missouri Western State University, 4525 Downs Drive, St. Joseph, Missouri 64507. Deadline: December 1, 2007 or until filled. Review of applications will begin immediately.
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From: ana otero <4anaotero AT>
Date: Nov 7, 2007
Subject: ZEMOS98 10th edition

November 10, 2007

These are the rules of participation for international call for works ZEMOS98 10th edition. Submit your work filling your information at our on.line form, after reading these guidelines.
The festival will be celebrated from 24th to 30th March, 2008.
The deadline for submissions is 10th November, 2007.

Audiovisual Festival ZEMOS98 presents the 10th edition of its international call for audiovisual video creations.

- The festival will be celebrated from 24th to 30th March, 2008

- Deadline for submissions: 10th November, 2007

1. PARTICIPANTS. Participants (of any age or nationality) may submit as many works as they wish, on independant tape or disc, of any year of production, as long as each work:

- Has been made on VIDEO, either analogue or digital.

- Is in Spanish, or any other language as long as it is subtitled in Spanish or English.

- Has a maximum duration of 20 minutes

We declare our emphatic support for concise and synthetic works, not just in terms of narrative values but also as a way of ensuring the quality of the festival screenings.

If your work lasts more than 20 minutes and you are in any case interested in submitting it, it is compulsary to explain the reasons why you are sending your work in the online form, available at Otherwise, the corresponding work will not be viewed by the Selection Committee.

Screenings will be monocanal.

The theme and genre are open.

2. SUBMISSION. Each work must be submitted on a separate tape or disc (NTSC or PAL), rewound to the start if applicable, labelled with the author?s name and the name and duration of the work, and accompanied by the documentation set out in point 3 of these guidelines.

Regardless of the original videographic format used, works must be submitted in one of the following formats: VHS, S-VHS, MINI.DV-SP, DVD, SVIDEO-CD, VIDEO-CD, .AVI o .DV. Your can also upload a video file in DVD PAL quality (MPEG-2 - 720x576 px - 5mbp bitrate aprox.) to an on.line server (if you do not have your own on.line server, we recommend or The recommended format is MINI.DV - SP.

Works selected for the Official section will be asked to send (in 10 days time after communication) a copy in MINI.DV ? SP with no subtitles. Besides, these works will be asked to supply a text file with the transcription of the dialogues in its original language (apart from other languages if possible), including timecodes.

3. REGISTRATION AND DOCUMENTATION: Authors must register through an online form, available at

Submissions must be accompanied by at least two images (in JPG or PNG format, and no larger than 250kb). If you don?t send your images through the registration form, you can e-mail them to us at envios AT Authors of the works selected for the Official Section will be asked to supply two high-quality images (at least 720 x 576 pixels). ZEMOS98 will use these images at or any printed information that will be made before and after the festival, as well as the annual printed zemos98 catalogue.

You may also include any additional information such as production details, promotional material, etc.

Any errors or missing information on registration forms will be posted on the zemos98 web site, together with the deadline for submitting this information. If any missing and/or incorrect information has not been corrected by the 15th of November, the corresponding work will not be viewed by the Selection Committee.

4. SUBMISSION: Works can be submitted by post or courier, or delivered in person, by November 10th, 2007. Only works postmarked before November 10th will be accepted.

The address for submissions is:

FESTIVAL AUDIOVISUAL ZEMOS98 Universidad Internacional de Andaluca Monasterio de Santa Mara de las Cuevas, c/ Amrico Vespucio, 2 Isla de la Cartuja. 41092 Sevilla SPAIN

5. SELECTION: Festival organisers will select the best videos for three different categories:

- The Official Selection, which will be screened on the final two days of the Festival. ZEMOS98 will edit a DVD in July 2008, which will contain the best videos from the Official Section.

- Pantallas Paralelas section, a selection of works that will not only include works received in this call.

- Pantallas Paralelas on.line section, a selection of works by authors that authorize ZEMOS98 to screen works on.line at

ZEMOS98 agrees to pay 150 ? for every work participating the Official Section for the purposes of presenting the work and public screening.

ZEMOS98 agrees to pay 50 ? for every work participating the section Pantallas Paralelas and/or Pantallas Paralelas on.line for the purposes of presenting the work and public screening.

All information relating to the short videos, as well as the date, time and place they will be screened, will be posted on


DVD.ZEMOS98 [10a EDICIN]. ZEMOS98 will edit a DVD, which will contain the best videos from the Official Section. This DVD will be toured around the world, which implies international diffusion for the artists and their works. Authors will sign a non-exclusive cession of screening rights to participate the DVD, which has a Creative Commons License.

PREMIO RTVA MEJOR OBRA ANDALUZA - 2.400 ? to best andalusian work to produce a new project.

PRIZE FOR THE BEST LATIN AMERICAN WORK. We have created a special category to acknowledge the best work submitted out of all the works received from Latin American authors. The prize includes a grant for accommodation and enrolment fees in the Master of Audiovisual Communication held every two years at the Universidad Internacional de Andalucia facilities in Rbida, in the region of Huelva.

MEETING OF AUDIOVISUAL CREATORS. Festival organisers will invite and provide accommodation for all authors selected for the official section (if there is any work with more than one author, a maximum of two will be invited by the festival). This meeting will take place over three days. The idea is to discuss aspects relating to audiovisual culture, and give authors the opportunity to comment on the selection and on ZEMOS98 in general. Industry professionals and other creators will also be invited to screen their work and contribute their thoughts.

There is also an audience special mention, judged by the votes of the public attending the Official Section. This mention means that the corresponding work will be included in the DVD.

The organization could declare any section null and void and rescind any prize, as well as award any other specific mention not specified on this guidelines.

Prizes are subject to withholdings established by current law. ZEMOS98 will communicate instalments of pay.

Authors and/or producers of all works receiving a prize or mention promise to specify it in every publicity and press information, as well as on previous or final credits, respecting what decided the organisers and using the logo of ZEMOS98.

7. SCREENINGS. Public screenings of the official selection will take place in ZEMOS98 venue, in March 2008. The festival program will be made public well in advance, and posted on

Authors and/or producers of all works authorize ZEMOS98 to use an excerpt of works (not more than one minute duration) disseminate information in any media.

8. RETURN OF MATERIALS. All works submitted will be included in the videoteca.zemos98 video library, and may be screened for cultural and/or educational (in no case commercial) purposes in the various screenings that are organised throughout the year, which will be posted on ZEMOS98 will not give, sell or rent copies to other institutions or private persons interested without written consent by the producer of the corresponding work.

9. CONTACT. You can find updated information about the Festival and related activities on For any questions or suggestions, please contact us at info AT

10. ADDITIONAL INFORMATION. The organisation will not be liable for any accidents that may affect submitted works. The organisation reserves screening rights to works that may be harmful to human rights. Participation in the festival implies acceptance of these guidelines. Any unforeseen circumstances or changes to these guidelines will be resolved by the organisation and reported on and the zemos98 mailing list.

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Film/Video/Theatre: Assistant Professor, (tenure-track position to begin August 2008) – dynamic individual to teach courses in progressive integrated video/film and theatre department with emerging interdisciplinary graduate program in applied media arts. Department requires innovative professional to oversee the technical production of video, film, and live production and assist in curricular development of graduate classes. Required: M.F.A. in film, video, multi-media, theatre or closely related field. Must demonstrate evidence of quality teaching/advising and commitment to undergraduate and graduate education. Applicant must have expertise with cinematography, lighting, sound and live theatrical production. Applicant must also have a working knowledge in the Macintosh environment, including the major non-linear applications utilized in post-production. Applicant will teach courses as needed but must be able to teach film, video and live technical production. Qualified applicants must submit a letter of interest including e-mail address; vita; recent examples of personal work; and at least three letters of reference (to be sent directly by references or confidential placement file) to: Dr. M. D. Hunt, Chair, Department of Communication Studies & Theatre, Missouri Western State University, 4525 Downs Drive, Murphy Hall 207, St. Joseph, Missouri 64507. Deadline: December 1, 2007 or until filled. Review of applications will begin immediately. AA/EOE.
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From: fo AT <fo AT>
Date: Nov 8, 2007

December 31, 1969
University of Wisconsin Milwaukee
Department of Visual Art, Peck School of Arts


FACULTY OPENING: Digital Studio Practice

POSITION TITLE: Assistant Professor, tenure track, nine month (academic year) in the Digital Studio Practice Area of the Department of Visual Art, Peck School of the Arts, with affiliation in the campus-wide Global Studies Program, at the University of Wisconsin-Milwaukee.

STARTING DATE: August 18, 2008

POSITION DESCRIPTION: The Visual Art Department seeks a dynamic digital artist with expertise in visual art within an international and global framework. This faculty member serves as the Visual Art Departments representative to the interdisciplinary Global Studies program, a cross-campus collaboration dedicated to exploring contemporary transnational issues. Required teaching (5 courses per academic year) in areas of time-based digital expertise for visual art and design applications, including but not limited to: multimedia, installation, web design, and video/other time-based media. One out of the five courses per year to be taught in Global Studies involving themes/content related to the facultys areas of interest/expertise. Participation in graduate program also required including potential graduate studio and seminar courses.

Other teaching opportunities may include involvement in the Foundations level Digital Arts: Culture, Theory, Practice course. Active involvement with graduate students and cross-disciplinary studio students expected. Faculty members are expected to maintain active research in the field and actively contribute to the department, school, and university through committee service and faculty shared-governance responsibilities.

PROGRAM DESCRIPTION: The Department of Visual Art has 20 full-time faculty members and offers B.A., B.F.A., M.A., and M.F.A. degrees in the areas of Ceramics, Fibers, Graphic Design, Jewelry&Metalsmithing, Painting&Drawing, Photography, Printmaking, Sculpture, and B.F.A. and M.S. degrees in Art Education. A new Digital Studio Practice B.F.A is in development. The Peck School of the Arts includes the departments of Visual Art, Dance, Film, Music, Theatre, and the Institute of Visual Arts (Inova).

The Peck School of the Arts is the only dedicated school of arts in the UW System for the education and training of professional artists. It is one of twelve schools on the UW-Milwaukee campus.

The University of Wisconsin-Milwaukee is a level II research institution and one of only two comprehensive, doctoral degree-granting universities among the twenty-four campuses of the UW System. UW-Milwaukee is one of the leading urban research universities in the country.

M.F.A. in studio arts with primary artistic research in digital art forms is required; prior teaching experience preferred. Applicants must be able to teach all levels in their area of expertise, as well as interdisciplinary courses related to issues of global communication or global information technologies. The successful candidate should have experience in online and digital teaching methods and strong typographic skills. Engagement in rigorous personal, creative research and a strong exhibition record and thorough knowledge of contemporary art and global issues and concepts required.
SALARY: Commensurate with experience.

PROCEDURES: Send only the following materials:

Cover letter of application
Current vitae
A brief artist statement
A brief statement of teaching philosophy
A brief statement of the applicants expertise and interest in contributing to an interdisciplinary program emphasizing globalization studies
Proposal for an upper-level digital studio course
Appropriate evidence of professional activity: PowerPoint presentation with 20 slides of applicants work on CD (Mac platform) with a printed, numbered list identifying the work. Digital materials not in PowerPoint format will not be considered. Use only commonly available fonts - search committee will not install special fonts for PowerPoint.
Examples of applicants students work clearly labeled with class level and representing the breadth of applicants teaching experience: PowerPoint presentation with 20 slides CD (Mac platform), with a printed, numbered list identifying and describing work. Materials not in PowerPoint format will not be considered. Use only commonly available fonts - search committee will not install special fonts for PowerPoint.
PowerPoints and pdfs should be clearly organized on one CD.
Applicants name should be the name of the CD. Label CD with permanent marker. No attached labels.
Web sites or interactive work should be represented by still images in the PowerPoint presentation, and URLs included in the slide list.
Video may be embedded in PowerPoint presentation, but must be edited to 2 minutes or less.
Names, addresses, phone numbers, email addresses of three references (Do not send letters of reference with application.). Letters of reference will be requested for finalists only.
Application and materials will not be returned.

Send application and supporting materials to:

Chairperson, Digital Studio Practice Search Committee
Department of Visual Art
University of Wisconsin-Milwaukee
P.O. Box 413
Milwaukee, WI 53201-0413

Chairperson, Digital Studio Practice Search Committee
Department of Visual Art
University of Wisconsin-Milwaukee
2400 E. Kenwood Blvd., ART 251
Milwaukee, WI 53211
(Phone: 414-229-6052)

APPLICATION DEADLINE: Screening begins December 1, 2007 and continues until qualified candidate is hired.

UWM is an Affirmative Action/Equal Opportunity Employer and encourages minority, female, and applicants with disabilities because a diverse campus environment is desirable and important to the education process. Upon request, accommodations can be made for applicants with disabilities. The names of those nominees and applicants who have not requested that their identities be withheld and the names of all finalists will be released upon request.

For the UWM Campus Security Report, go to, or contact the Office of Student Life, Mellencamp Hall 118, at 414-229-4632 for a paper copy. All finalists for this position will require a criminal records review consistent with the Wisconsin Fair Employment Act.

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From: [NMF2007] <info AT>
Date: Nov 8, 2007
Subject: NMF2007 - SoundLAB - Edition V - soundart features

NewMediaFest2007 blog
1st common festival of [NewMediaArtProjectNetwork]:||cologne
1 November 2007 - 31 May 2008
proudly presents the forth festival component
SoundLAB - sonic art project environments
is dedicated to a specific form of digital art, i.e. soundart, - incorporating currently 12 curators,
more than 300 artists & 1000 soundart works focussing on "memory and identity".

On occasion of NewMediaFest2007, SoundLAB issues its Edition V,
standing under the theme of "soundSTORY - sound as a tool for storytelling"
curated by Melody Parker-Carter, including -->
4th World Orchestra, Mauro Arrighi (Italy), Tautvydas Bajarkevicius (Lithuania), Nat Bates (USA), Andrea Callard (USA), Bronwen Casson (Ireland), Matthew Clair (UK), Budhaditya Chattopadhyay (India), Jessica Curry (UK), Martin Desloovere (Netherlands), Paul Devens(Belgium), Marcin Dopieralski (Poland), Dorsey Dunn (USA), Jared Dunne (USA), Chad Eby (USA), Edward Ficklin (USA); RobynYost (USA) Satoshi Fukushima (Japan), u n c l e j i m (UK), IdoGovrin (Israel), Scott Hall (USA), Le Tuan Hung (Vietnam), Zoe Irvine (UK), Margaret Jameson (USA), Sirpa Jokinen (Finland), Leonel Kaplan (Argentina), Jane Fenton Keane (Australia), Elsa Lankford (USA), les riches douaniers (France), Matt MacKissack (UK), Isabelle Mairiaux (Belgium), Wittwulf Y Malik;(Germany), John Maters (Netherlands), Jenni Meredith (UK), David Mooney (USA), Jeff Morris (USA), Monica Ong; (USA), Jo Pearson (USA), John Plenge (USA), Roland Roos (Netherlands), Benjamin Rossignol (USA), Khaled Sabsabi (Lebanon), Mu!
kherjee Sayandeb (India), Janek Schaefer (UK), Yolanda Spinola Spain), Aleksei Stevens (USA), Eldad Tsabary (Canada), YohannWalter (France), Simon Whetham (UK)

Curatorial contribution by Ruben Garcia (Valencia/Spain)
featuring following Spanish sound artists -->
Coeval (Madrid), Xabi Erkizia (Basque Country), Roc Jimenez (EVOL) (Barcelona),
Feran Fages (Barcelona), Ruben Garcia.(Valencia)

Curatorial contribution by Julian Jonker (South Africa)
Featuring following South African sound artists -->
Brendon Bussy, Garth Erasmus, Neo Muyanga, James Webb & James Sey,
James Webb, Righard Kapp, Brydon Bolton, Julian Jonker

SIP - SoundLAB Interview Project -
NewMediaFest2007 is the occasion to launch SIP official on a new site
incorporating now more than120 interviews.
Wilfried Agricola de Cologne invites sound artists participating in SoundLAB for an interview
and answering 10 questions spotlighting the background of their artistic creations.

NewMediaFest2007 is realized on 2 levels -
1. online in its totality
2. in physical space via cooperations-->
the 1st physical NewMediaFest2007
is launched in the framework of
3rd Digital Art Festival Rosario/Argentina - 15-17 November 2007
more info on
It is further linked with FONLAD Digital Art Festival Coimbra/Portugal

The general festival catalogue can be downloaded as PDF for free

This press release is issued by
netEX - networked experience
powered by [NewMediaArtProjectNetwork]:||cologne
info (at)

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Organizational memberships with Rhizome

Sign your library, university or organization up for a Rhizome organizational membership! Give your community access to the largest online archives of digital art and new media art-related writing, the opportunity to organize member-curated exhibitions, participate in critical discussion, community boards, and learn about residency, educational and professional possibilities. Rhizome also offers subsidized memberships for qualifying institutions with limited access to the Internet. Please visit for more information or contact sales AT

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From: wessner AT <wessner AT>
Date: Nov 7, 2007
Subject: Urban Computing and its Discontents

December 14, 2007
Urban Computing and Its Discontents
Situated Technologies Pamphlet series launch and panel discussion
Mark Shepard and Adam Greenfield
Friday, December 14
7:00 p.m.
Architectural League
457 Madison Avenue
New York CIty

A reception and panel discussion celebrating the launch of the Situated Technologies Pamphlet series (see below). Mark Shepard and Adam Greenfield, co-authors of Situated Technologies Pamphlet 1: Urban Computing and Its Discontents, will consider how ubiquitous computing may change urban life in this panel discussion launching the series. Additional panelists to be announced.

This fall the Architectural League of New York launches a nine-part publication series--co-edited by Mark Shepard, Omar Khan, and Trebor Scholz--to be published over the next three years--exploring the implications of ubiquitous computing for architecture and urbanism. Born out of the three-day symposium presented by the League, the Center for Virtual Architecture, and the Institute for Distributed Creativity in October 2006, the series will consider how our experience of the city and the choices we make in it are being affected by mobile communications, pervasive media, ambient informatics and other ?situated? technologies. How will the possibility of designing increasingly responsive environments alter the way architects conceive of space? What do architects need to know about urban computing and what do technologists need to know about cities? Situated Technologies Pamphlets will be edited by a rotating list of leading researchers and practitioners from art, archite! cture, technology, and sociology.

Adam Greenfield is a writer, user experience consultant and instructor at New York University's Interactive Telecommunications Program. Before starting his current practice, Studies and Observations, Adam was lead information architect for the Tokyo office of well-known Web consultancy Razorfish. His clients have included Toyota, Sony, Capgemini, and various agencies of the United States government. Adam has spoken frequently on issues of design, culture, technology and user experience before a wide variety of audiences, including the SXSW Interactive festival, LIFT, the European "Civilizations Numeriques" conference, Microsoft Research's HCI2020 workshop, Aula, and the O'Reilly Emerging Technology Conference. Most recently, he keynoted the 2007 International Conference on Pervasive Computing. His 2006 book Everyware: The dawning age of ubiquitous computing, has been acclaimed as ?groundbreaking,? ?elegant,? and ?soulful? by Bruce Sterling, and ?gracefully written, fascinating, and deeply wise? by Wired?s Steve Silberman. He lives and works with his wife, artist Nurri Kim, in New York City.

Mark Shepard is an artist, architect and researcher whose cross-disciplinary practice draws on architecture, film, and new media in addressing new social spaces and signifying structures of contemporary network cultures. His research investigates the impact of mobile and pervasive technologies on architecture and urbanism. His current project, the Tactical Sound Garden [TSG] Toolkit, is an open source software platform for cultivating virtual sound gardens in urban public space. It has been presented at museums, festivals and arts events internationally, including the Contemporary Museum, Baltimore, Maryland; Conflux 2006; Brooklyn, New York; ISEA 2006, San Jose, California; SIGGRAPH 2007, San Diego, California; Futuresonic, Manchester, UK; Sonar Festival, Barcelona, Spain; The Electronic Language International Festival ? FILE 2007, So Paolo, Brazil; and the Arte.Mov Festival for Mobile Media, Belo Horizonte, Brazil. He is currently an Assistant Professor of Architectu! re and Media Study at the University at Buffalo, State University of New York, where he co-directs the Center for Virtual Architecture.

Admission is free for League members and $10 for non-members. AIA and New York State continuing education credits are available.

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Rhizome Commissions Program

Rhizome 2008 Commissions Announced!
This year, eleven emerging artists/ collectives were awarded commissions in support of new works of Internet-based art. The projects include distributed sound experiments, visually compelling interactive images that blend the sublime and the ridiculous, and pioneering applications that encourage the flowering of creativity across commercial areas of the web. Follow the link below for descriptions of and links to the eleven winning proposals, which also includes our first-ever Community Award, a project designed to enhance participation and communication on Rhizome.

The Rhizome Commissions Program is made possible by support from the Jerome Foundation in celebration of the Jerome Hill Centennial, the Greenwall Foundation, the Andy Warhol Foundation for the Visual Arts, and the New York City Department of Cultural Affairs. Additional support has been provided by members of the Rhizome community.

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From: ABE LINKOLN <abe AT>
Date: Nov 9, 2007




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Rhizome Digest is supported by grants from The Andy Warhol Foundation for the Visual Arts and with public funds from the New York State Council on the Arts, a state agency.

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Rhizome Digest is filtered by Marisa Olson (marisa AT ISSN: 1525-9110. Volume 12, number 44. Article submissions to list AT are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info AT

To unsubscribe from this list, visit Subscribers to Rhizome Digest are subject to the terms set out in the Member Agreement available online at

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