The Rhizome Digest merged into the Rhizome News in November 2008. These pages serve as an archive for 6-years worth of discussions and happenings from when the Digest was simply a plain-text, weekly email.
Subject: RHIZOME DIGEST: 10.14.05 From: digest@rhizome.org (RHIZOME) Date: Fri, 14 Oct 2005 09:45:23 -0700 Reply-to: digest@rhizome.org Sender: owner-digest@rhizome.org RHIZOME DIGEST: October 14, 2005 Content: +note+ 1. Ceci: New Media Arts Programs +opportunity+ 2. Ceci: Multiple Faculty Openings AT University of South Carolina 3. maria miranda: Call for Submissions to SCAN online gallery 4. Pauline Jennings: Seeking Musicians for Intermedia Event +Work+ 5. Jo-Anne Green: Turbulence Commission: "Le Nouveau Western" by Tal Halpern +announcement+ 6. nat muller: TRACING UNDERCURRENTS: Sonic Routes Between Jerusalem and Tel-Aviv 7. Valentina Tanni: Random Magazine gets (a little) bilingual 8. michelle handelman: Michelle Handelman\'s "This Delicate Monster" 9. Ryan Griffis: Fwd: [festival] Early warning SMF4 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome is now offering Organizational Subscriptions, group memberships that can be purchased at the institutional level. These subscriptions allow participants at institutions to access Rhizome's services without having to purchase individual memberships. For a discounted rate, students or faculty at universities or visitors to art centers can have access to Rhizome?s archives of art and text as well as guides and educational tools to make navigation of this content easy. Rhizome is also offering subsidized Organizational Subscriptions to qualifying institutions in poor or excluded communities. Please visit http://rhizome.org/info/org.php for more information or contact Lauren Cornell at LaurenCornell AT Rhizome.org + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 1. From: Ceci <ceci AT rhizome.org> Date: Oct 12, 2005 7:52 PM Subject: New Media Arts Programs We at Rhizome are currently developing a list of B.A./B.F.A./M.A./M.F.A./PhD programs relevant to new media art. We hope this list will serve as a resource to our members. Please get in touch with me if you would like to contribute to the list. I will need the name of the University, the department, the location, the name of the program/major/concentration/minor/etc., the program¹s website address, and a brief description. Thank you so much! Ceci -- Ceci Moss Sales Associate for Organizational Subscriptions, Rhizome.org tel. 212.219.1288 x211 fax. 212.431.5328 email. ceci AT rhizome.org + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 2. From: Ceci <ceci AT rhizome.org> Date: Oct 11, 2005 6:06 PM Subject: Multiple Faculty Openings AT University of South Carolina Repost from Screen-L Please forward and post [attached as a flier]: ====================================================== The University of South Carolina, Columbia announces MULTIPLE SEARCHES in FILM & MEDIA http://www.cas.sc.edu/film Assistant Professor of New Media Studies The Film Studies Program and the Media Arts area of the Department of Art seek a cutting-edge scholar of new/digital media and culture. Teaching duties include relevant courses in media theory, criticism, and /or history at both the graduate and undergraduate levels. An ideal candidate might also bring expertise in television studies, film studies, global media, and/or media production (new and/or traditional). Qualifications include a PhD in media studies (or equivalent) with demonstrated excellence in research and teaching. Application review begins November 15, 2005. Assistant Professor of New Media Design The Department of Art seeks a cutting-edge new media artist with creative research in digital/new media, including computer animation, motion graphics, web design, and/or other aspects of digital media production. Teaching duties include courses in digital media production and design. The successful candidate will bridge the disciplines of graphic design and media production. The ideal candidate might also bring expertise in traditional media production (film, video, audio) or print-based communication (typography, theoretical, and practical design and graphic design history). Qualifications include an MFA or PhD in digital media (or equivalent) with demonstrated excellence in research and teaching. Application review begins November 15, 2005. Associate or Full Professor of Performance for Media The Department of Theater and Dance seeks a master acting teacher to join its professionally active faculty in a nationally competitive department. Primary responsibility for teaching acting to advanced undergraduate and MFA students with an emphasis in period styles. Duties include classroom instruction and coaching in the extensive production program that is exceptionally well integrated into the curriculum. Experience in performance for media is needed, as the position will help develop an interdisciplinary Center for Emerging Electronic Media. MFA or equivalent professional experience in acting and established and ongoing record of professional activity required. Interest in, and potential for, assuming future leadership of the MFA Acting program desirable. Application review begins December 5, 2005. Assistant, Associate, or Full Professor of Film Studies/History/Moving Image Archiving This is an interdisciplinary, open rank search for an innovative scholar in one or more of the following areas: film/TV history; 20th century cultural history, with an emphasis in moving image culture; moving image archiving. The institutional configuration of this hire will be determined by the strengths of the successful candidate, with a joint-appointment shared among some combination of: the Film Studies Program; the Department of History; the School of Library and Information Science; and/or the Newsfilm Library, USC*s film archive. Teaching duties will include graduate as well as undergraduate courses. We are also interested in candidates whose research expertise complements the holdings of the Newsfilm Library, which include the Fox Movietone News Collection (with elements from the 1920s through the mid 1940s), local TV news (1960s-70s), home movies, and science films by Roman Vishniac. Depending upon expertise, the scholar hired for this position might also work on these collections in a curatorial/consulting capacity. The qualified applicant might hold a PhD in Film Studies (or related discipline), History, or LIS, with research emphasis in one or more of the above-specified areas. Application review begins October 31, 2005. The University of South Carolina is an Affirmative Action/Equal Opportunity Institution. Women and minorities are encouraged to apply. COMPLETE ADS & APPLICATION INFORMATION at: http://www.cas.sc.edu/film/ Susan Courtney, Associate Professor Film Studies and English University of South Carolina Columbia, SC 29206 p: (803) 777-2361 f: (803) 777-9064 e: courtney AT sc.edu + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome ArtBase Exhibitions http://rhizome.org/art/exhibition/ Visit the fourth ArtBase Exhibition "City/Observer," curated by Yukie Kamiya of the New Museum of Contemporary Art in New York and designed by T.Whid of MTAA. http://rhizome.org/art/exhibition/city/ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 3. From: maria miranda <maria AT out-of-sync.com> Date: Oct 12, 2005 1:21 AM Subject: Call for Submissions to SCAN online gallery Scan Gallery is currently seeking submissions for its online Gallery. SCAN is hosted by the Media Department of Macquarie University in Sydney and hosts multimedia artworks on an ongoing basis. To view Scan Gallery http://scan.net.au/scan/gallery/gallery.html Submissions will be assessed by the Scan Editorial Committee. Media art works in all forms - including still and moving image, audio, interactive formats - are suitable for submission to the Gallery. Please email submissions to: jpotts AT scmp.mq.edu.au Dr John Potts Media Macquarie University Full guidelines here http://scan.net.au/scan/about/about.html + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org 2005-2006 Net Art Commissions The Rhizome Commissioning Program makes financial support available to artists for the creation of innovative new media art work via panel-awarded commissions. For the 2005-2006 Rhizome Commissions, eleven artists/groups were selected to create original works of net art. http://rhizome.org/commissions/ The Rhizome Commissions Program is made possible by support from the Jerome Foundation in celebration of the Jerome Hill Centennial, the Greenwall Foundation, the Andy Warhol Foundation for the Visual Arts, and the New York City Department of Cultural Affairs. Additional support has been provided by members of the Rhizome community. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 4. From: Pauline Jennings <pauline AT berkeley.edu> Date: Oct 12, 2005 3:09 PM Subject: Seeking Musicians for Intermedia Event Hello, We are seeking live musicians or sound artists to participate in an upcoming intermedia event taking place in Oakland California on November 19th. The event is entitled Evolutionary Patterns and the Lonely Owl (Byte #1) and will include dance, video, performance, installation and music. The content of the music or sound is for the most part up to the individual but the overall form of the piece will be determined by a series of rules adapted from mathematician Conway's Game of Life. There is documentation of our latest incarnation of this event online at: http://www.double-vision.biz/evolutionary_patterns.html to give you a feel for what we do. If you are interested in participating please contact us at dv AT double-vision.biz. Thanks! Sean & Pauline, co-Directors / DOUBLE VISION + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Support Rhizome: buy a hosting plan from BroadSpire http://rhizome.org/hosting/ Reliable, robust hosting plans from $65 per year. Purchasing hosting from BroadSpire contributes directly to Rhizome's fiscal well-being, so think about about the new Bundle pack, or any other plan, today! About BroadSpire BroadSpire is a mid-size commercial web hosting provider. After conducting a thorough review of the web hosting industry, we selected BroadSpire as our partner because they offer the right combination of affordable plans (prices start at $14.95 per month), dependable customer support, and a full range of services. We have been working with BroadSpire since June 2002, and have been very impressed with the quality of their service. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 5. From: Jo-Anne Green <jo AT turbulence.org> Date: Oct 12, 2005 10:06 AM Subject: Turbulence Commission: "Le Nouveau Western" by Tal Halpern October 12, 2005 Turbulence Commission: "Le Nouveau Western" by Tal Halpern http://turbulence.org/works/nouveau Needs Flash MX player and sound on; optimized for Safari 2.0, Firefox, Explorer 5.2 for Mac & 6.0 for PC, Netscape 7.2 or higher "Believe in me because you have heard a voice." >From a small room, he spoke to her and she listened. It was hours before liberation and the start of a new war. In his letters and illustrated recollections, he described an entire world to her, one she could only begin to imagine. But now that the war is over and he has disappeared, she is not alone in her interest in his world with all its prophetic vision. A new media narrative, which unfolds in the form of a man's literary remains, "Le Nouveau Western" is a story about the past, which is not yet passed; a mediation on memory and war in the information age. "Le Nouveau Western" is a 2005 commission of New Radio and Performing Arts, Inc., (aka Ether-Ore) for its Turbulence web site. It was made possible with funding from The Greenwall Foundation. BIOGRAPHY Tal Halpern is an interdisciplinary artist and writer whose previous electronic work includes "Digital Nature: the Case Collection version 2.0" (Turbulence 2002), "Archiving Nature: Preservation Practices for a Digital Age" (Zentrum fur Kunst und Medientechnologie Karlsruhe 2001) and "Chromosome 22: Mapping the Human Genome" (C-Theory, 2000). For more information about Turbulence please visit http://turbulence.org -- Jo-Anne Green, Co-Director New Radio and Performing Arts, Inc.: http://new-radio.org New York: 917.548.7780 ? Boston: 617.522.3856 Turbulence: http://turbulence.org New American Radio: http://somewhere.org Networked_Performance Blog and Conference: http://turbulence.org/blog + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 6. From: nat muller <nat AT xs4all.nl> Date: Oct 9, 2005 5:34 AM Subject: TRACING UNDERCURRENTS: Sonic Routes Between Jerusalem and Tel-Aviv [apologies for cross-posting] ***************************************** TRACING UNDERCURRENTS: SONIC ROUTES BETWEEN JERUSALEM AND TEL-AVIV Date: Fri 21 October & Sat 22 October Location: De Melkweg, Theaterzaal, Lijnbaansgracht 234 A, Amsterdam Time: Performances: Fri 21 October & Sat 22 October, 20.30 - 22.30 hours Entrance: ?10,- (red.? 8,-) Panel: Fri 21 October, 16.00 - 18.00 hours (free) Bookings: 020 ? 5318181 URL: www.melkweg.nl (under media) ***************************************** TRACING UNDERCURRENTS invites you to sample the diversity of the Israeli experimental sound scene. Israel, being a country of immigrants boasts a culturally rich and diverse tradition.However, more often than not these expressions have been limited to the more traditional arts.The mid-nineties however, have seen a surge in experimental audio work, coming especially from Jerusalem.In addition independent labels flourished in Jerusalem, a city which is in effect the conflict embodied and has seen many of its young people move abroad or to cosmopolitan Tel-Aviv. Tracing Undercurrents tries to map the cultural and musical diversity of contemporary experimental music?tracing routes in-between Jerusalem and Tel-Aviv, looking for aesthetic convergences and differences, and probing the contextual conditions for experimental sound production in Israel.For the first time it brings 11 young cutting-edge performers to The Netherlands whose musical repertoires range from electro-pop, clicks and cuts, noise, to experimental DJ sets and experimental electronic delicacies.In composition, as in its diversity ?Tracing Undercurrents? is unique and a premiere for Europe. ***************************************** PROGRAM Fri 21 October TRACING UNDERCURRENTS: performances [Tracing Noise and Electronic Soundscapes] 20.30 - 22.30 hours, entrance: ? 10 (red.? 8,-) Finkelstein & Grunewald (Eran Sachs & Aviad Albert) Panda Porn (Alma Ben Yossef & Tomer Rosenthal) Seventeen migs of spring (www.zvukoprocessor.com) TRACING UNDERCURRENTS: panel 16.00 ? 18.00 hours, entrance: free Participants: Eran Sachs (Jerusalem), Osnat Forschmidt (Jerusalem), Ido Govrin (Tel-Aviv), Itamar Weiner&Harel Schreiber (Jerusalem), Kostya Gervis (Tel-Aviv) Moderation: Nat Muller (NL) * PROGRAM Sat 22 October TRACING UNDERCURRENTS: performances [Tracing Independent Labels] 20.30 - 22.30 uur, entrance: ? 10 (red.? 8,-) Blondie (Osnat Forschmidt) The Models (ak-duck.com: Harel Schreiber & Itamar Weiner) Duprass (Ido Govrin & Liora Belford) URLs: seventeen migs of spring: http://www.zvukoprocessor.com/ Duprass | Ido Govrin: www.interval-recordings.com | http://www.duprass.com/ AK-duck: http://www.ak-duck.com Miklat Taklitim: http://www.miklataklitim.com/ ***************************************** TRACING UNDERCURRENTS: SONIC ROUTES BETWEEN JERUSALEM AND TEL-AVIV is part of ?Xeno_Sonic: Experimental Music Mapping in the Middle East?, a project and initiative of Nat Muller in collaboration with De Melkweg. With thanks to Eran Sachs for curatorial support. TRACING UNDERCURRENTS is kindly supported by VSBfonds, Mondriaanfonds, Fonds voor Amateur en Podiumkunsten, SNAIT Foundation, Stichting Levi Lassen, Fonds voor Podium-Programmering & Marketing, STEIM. The research phase of Xeno_Sonic was supported by The Netherlands Foundation for Visual Arts, Design and Architecture Editor?s note For more information, visual material or interviews, contact: Publiciteit Melkweg: Esther Lagendijk | tel: 020-5318167 | fax: 020-5318118 | esther AT melkweg.nl + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Members can purchase the new monograph on Thomson & Craighead, Minigraph 7, for a discounted rate: £10.80 which is 10% off £12.00 regular price plus free p+p for single orders in UK and Europe. thomson & craighead Minigraph 7 Essays by Michael Archer and Julian Stallabrass Jon Thomson and Alison Craighead ¹s extraordinarily varied, almost unclassifiable artworks combine conceptual flair with sophisticated technical innovation. Encompassing works for the web alongside a host of other new media interventions, this book ? the first monographic survey of the artists¹ work ? highlights a number of impressive installation and internet-based pieces which use digital technology to echo the art-historical tradition of the ready-made. Part-supported by CARTE, University of Westminster. Published by Film and Video Umbrella 52 Bermondsey Street London SE1 3UD Tel: 020 7407 7755 Fax:020 7407 7766 http://www.fvumbrella.com To order, Rhizome Members should write Lindsay Evans at Film/ Video Umbrella directly and use the reference ³Rhizome T + C² in the subject line. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 7. From: Valentina Tanni <v.tanni AT exibart.com> Date: Oct 10, 2005 11:39 AM Subject: Random Magazine gets (a little) bilingual RANDOM MAGAZINE - new media art /e-culture www.random-magazine.net Random Magazine is an italian webzine about new media art. In the last months we realized that our readers are becoming more and more international. For this reason, from now on, the website gets (a little) bilingual. For every italian article we will also provide a short english summary. Users can now post in italian and in english as well! RANDOM MAGAZINE daily explores the intersections between art, technology and society. It features news, critical writings, reviews and call for artists. We are interested in lots of different topics, aiming to offer a 360=B0 view on digital creativity: videoart, electronic music, net art, webdesign, videogames, hacktivism, software art, videoclip and much more. RANDOM MAGAZINE invites all artists, scholars, critics and fans of new media art to visit the website and join the community. So that the webzine can become a collective platform for dialog, information exchange and research. In order to login in you just need to write your name and e-mail address. Members can access to all areas, post their own content, join the forum, receive the weekly newsletter. They can also communicate directly in real time through a messaging software. Random Magazine is also available in RSS format http://www.random-magazine.net/modules/rss RANDOM MAGAZINE - new media art /e-culture www.random-magazine.net curated by Valentina Tanni + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 8. From: michelle handelman <handelman AT earthlink.net> Date: Oct 12, 2005 12:40 PM Subject: Michelle Handelman\'s "This Delicate Monster" "THIS DELICATE MONSTER" Multimedia Exhibition by Michelle Handelman Performances: OCT 13 and Oct 27, 7-9p Show runs: October 6 - 29, 2005 RX Gallery 132 EDDY STREET SAN FRANCISCO 415.756.8890 www.rxgallery.com www.michellehandelman.com This Delicate Monster is a multi-media pop fable inspired by Charles Baudelaire's The Flowers of Evil , a book of poems as succulent and darkly suave as 19th-century Paris and Baudelaire himself. Handelman transposes the Flowers of Evil into a pop landscape, creating a hallucinatory fragmented narrative that lies somewhere between conceptual art piece and pure visceral experience. For this exhibition Handelman transforms the gallery with projections, live performers, and photographs from her latest project This Delicate Monster,a place where passion, obsession, fashion and ugliness collide. Collaborating with couture fetish designer Garo Sparo, Italian noise band Larsen, and a cast of performers, the multi-screen narrative is constructed of gestures and sounds that breathe life into Baudelaire's text such as, "No abyss compares with your bed" and "to swallow up existence with a yawn". Like Artaud's Theater of Cruelty, this piece implicates the viewer into a mediated world of attraction and repulsion, with moments so loaded with the symbolic that they destroy meaning altogether. The exhibit becomes a sympathetic symphony of gasps, shrieks and repetitive actions that can best be described as a cross between a horror film and a fashion shoot gone terribly wrong. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 9. From: Ryan Griffis <ryan.griffis AT gmail.com> Date: Oct 14, 2005 11:50 AM Subject: Fwd: [festival] Early warning SMF4 Begin forwarded message: > > Hello all. Here is an early warning about the best thing to happen > since > version>05. > ;) > > Select Media Festival 4 (SMF4) > > We present the annual Select Media Festival in an attempt to highlight > a few > of the threads that makes our city a fantastic cultural diaspora for > emerging art and counter-cultural activity. In an ongoing exploration > of > emerging art movements and independent networks in contemporary art and > media, this year we find ourselves in the Community of the Future, > formally > known as Bridgeport. We?re navigating underused urban geography for our > festival activities, now in their fourth year, within the theme ?secret > histories and imagined futures.? > > Website with full programming. > http://www.selectmediafestival.org > > // > > Programs of Note: > > Oct 20, 2005 8pm > Opening of Select Media Festival 4: Lumpen #97 release party > > Performances by Warhammer 48k, Jerusalem & the Starbaskets and Carpet > of > Sexy and Underground Multiplex video programs > > Texas ballroom/ Hey Cadets! > 3012 S Archer > > /// > > Oct 21, 2005 6pm-1am > The New Chicagoans > Oct. 21 ? Nov. 13, 2005 > > Opening Reception Oct. 21, 6 p.m. > With performances by Fossil Fuels, Irene Moon, and Mudboy. > > Iron Studios > > 3636 Iron St, second floor > Gallery Hours: 1 ? 5 p.m. Sat and Sun > > The New Chicagoans refers to a multiplicity of approaches by the > avant-garde > of Chicago?s art communities. This group exhibition reveals the wide > range > of approaches in experimental and contemporary art making in the city. > > Featuring: Brian Ulrich, Christine Tarkowski, Juan Chavez, Cody Hudson, > Chris Uphues, Rob Doran, Michael Merck, Joe Compean, Jackie Kilmer, > John > Parot, Melina Ausikaitis, Duk Ju Kim, Jonn Salhus, Victor Van Bramer, > Barbara Kasten, Nat Ward, Sighn, Ryan Davies, Nick Black, Jason > Lazarus, > Greg Stimac, You Are Beautiful, Elisa Harkins, Carl Virgo, Al Burian, > Al > Pocius, Andrew Wilson, Steven Eichorn, Melinda Fries, Erin Foley, > Michael > Genovese, Stephen Mathewson, Paul Nudd, and Dolan Geiman. > > Show runs October 21 - November 13, 2005 Gallery Hours: 1pm-5pm Sat > and Sun > > /// > > October 22 noon - 11pm > > The Bridgeport Art Walk > Oct. 22, 2005 Noon to 2am > > In collaboration with mn gallery and Chicago > Artists? Month, Select Media Festival has programmed and mapped out an > alternative cultural cartography of the Bridgeport neighborhood. Visit > over > 2 dozen spaces and enjoy an evening of performances and screenings. > Online map: http://www.lumpen.com/events/PeopleGetReady/map.html > > > /// > > > Community of the Future > Experimental Culture Zone > Oct. 22?November 13, 2005 > Select Media Festival helps kick start a new artistic ?cultural center? > along a one block area on 3100 ? 3200 South Morgan St that hosts > Quimby?s , > Myopic Books and Odd Obsession Video as well as local establishments. > > > // > > Oct 28, 2005 6pm > > Secret Histories Museum > Oct. 28 Nov. 13, 2005 > > Opening Reception Oct. 28, 6 p.m. > > > With performances by Lazer Crystal, The Chandeliers, The Killer Whales > and > members of Mahjongg > > Iron Studios 3636 Iron St, second floor > Gallery Hours: 1 -5 p.m. Sat and Sun > > The Secret Histories Museum discovers and presents historical evidence, > inviting visitors to seek understanding of themselves and of the world, > between history and future. > > /// > > > The Tactical Ice Cream Unit > Oct. 24 ? Oct. 31, 2005 > Locations TBA > The Tactical Ice Cream Unit (TICU) rolls through Chicago in an act of > intervention that replaces cold stares with frosty treats and > nourishing > knowledge. > http://www.tacticalmagic.org/CTM/project%20pages/TICU.htm > > This should be the most mindblowing art/activist project to hit chicago > since the Yes Men impersonated Daley's staff and gave Meiggs Field to > the > Feds. We are looking for people and places to bring the TCIU to. > > > /// > > > Underground Multiplex Program > Multiple locations and dates > > Using the theme of the multiplex where people > often see more than one movie for the price of one admission visitors > can > wander through our temporary multiplex, watch multiple video programs, > and > eat as much popcorn that they can. > > visit: > selectmediafestival.org > > Look for brochures, postcards and posters in your neighborhood. > If you want to volunteer please give me an email. > > - Ed > > /// > > > This weekend do not forget to go to Skylark for Logans Super freak out > dance jam party extreme. > 10pm + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org is a 501(c)(3) nonprofit organization and an affiliate of the New Museum of Contemporary Art. Rhizome Digest is supported by grants from The Charles Engelhard Foundation, The Rockefeller Foundation, The Andy Warhol Foundation for the Visual Arts, and with public funds from the New York State Council on the Arts, a state agency. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Digest is filtered by Marisa Olson (marisa AT rhizome.org). ISSN: 1525-9110. Volume 10, number 41. Article submissions to list AT rhizome.org are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info AT rhizome.org. To unsubscribe from this list, visit http://rhizome.org/subscribe. Subscribers to Rhizome Digest are subject to the terms set out in the Member Agreement available online at http://rhizome.org/info/29.php. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + |
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07.28.06 -RHIZOME DIGEST: 07.21.06 -RHIZOME DIGEST: 07.14.06 -RHIZOME DIGEST: 07.07.06 -RHIZOME DIGEST: 06.30.06 -RHIZOME DIGEST: 06.23.06 -RHIZOME DIGEST: 06.16.06 -RHIZOME DIGEST: 06.02.06 -RHIZOME DIGEST: 05.26.06 -RHIZOME DIGEST: 05.19.06 -RHIZOME DIGEST: 05.12.06 -RHIZOME DIGEST: 05.05.06 -RHIZOME DIGEST: 04.28.06 -RHIZOME DIGEST: 04.21.06 -RHIZOME DIGEST: 04.14.06 -RHIZOME DIGEST: 04.07.06 -RHIZOME DIGEST: 03.31.06 -RHIZOME DIGEST: 03.24.06 -RHIZOME DIGEST: 03.17.06 -RHIZOME DIGEST: 03.12.06 -RHIZOME DIGEST: 03.03.06 -RHIZOME DIGEST: 02.24.06 -RHIZOME DIGEST: 02.17.06 -RHIZOME DIGEST: 02.10.06 -RHIZOME DIGEST: 02.03.06 -RHIZOME DIGEST: 01.27.06 -RHIZOME DIGEST: 01.20.06 -RHIZOME DIGEST: 01.13.06 -RHIZOME DIGEST: 01.06.06 -RHIZOME DIGEST: 12.30.05 -RHIZOME DIGEST: 12.23.05 -RHIZOME DIGEST: 12.16.05 -RHIZOME DIGEST: 12.09.05 -RHIZOME DIGEST: 12.02.05 -RHIZOME DIGEST: 11.25.05 -RHIZOME DIGEST: 11.18.05 -RHIZOME DIGEST: 11.11.05 -RHIZOME DIGEST: 11.4.05 -RHIZOME DIGEST: 10.28.05 -RHIZOME DIGEST: 10.21.05 -RHIZOME DIGEST: 10.14.05 -RHIZOME DIGEST: 10.07.05 -RHIZOME DIGEST: 9.30.05 -RHIZOME DIGEST: 9.23.05 -RHIZOME DIGEST: 9.16.05 -RHIZOME DIGEST: 9.9.05 -RHIZOME DIGEST: 9.2.05 -RHIZOME DIGEST: 8.26.05 -RHIZOME DIGEST: 8.22.05 -RHIZOME DIGEST: 8.14.05 -RHIZOME DIGEST: 8.07.05 -RHIZOME DIGEST: 7.31.05 -RHIZOME DIGEST: 7.24.05 -RHIZOME DIGEST: 7.17.05 -RHIZOME DIGEST: 7.10.05 -RHIZOME DIGEST: 7.03.05 -RHIZOME DIGEST: 6.26.05 -RHIZOME DIGEST: 6.19.05 -RHIZOME DIGEST: 6.12.05 -RHIZOME DIGEST: 6.05.05 -RHIZOME DIGEST: 5.29.05 -RHIZOME DIGEST: 5.22.05 -RHIZOME DIGEST: 5.15.05 -RHIZOME DIGEST: 5.08.05 -RHIZOME DIGEST: 4.29.05 -RHIZOME DIGEST: 4.22.05 -RHIZOME DIGEST: 4.15.05 -RHIZOME DIGEST: 4.01.05 -RHIZOME DIGEST: 3.25.05 -RHIZOME DIGEST: 3.18.05 -RHIZOME DIGEST: 3.11.05 -RHIZOME DIGEST: 3.04.05 -RHIZOME DIGEST: 2.25.05 -RHIZOME DIGEST: 2.18.05 -RHIZOME DIGEST: 2.11.05 -RHIZOME DIGEST: 2.04.05 -RHIZOME DIGEST: 1.28.05 -RHIZOME DIGEST: 1.21.05 -RHIZOME DIGEST: 1.14.05 -RHIZOME DIGEST: 1.08.05 -RHIZOME DIGEST: 1.01.05 -RHIZOME DIGEST: 12.17.04 -RHIZOME DIGEST: 12.10.04 -RHIZOME DIGEST: 12.03.04 -RHIZOME DIGEST: 11.26.04 -RHIZOME DIGEST: 11.19.04 -RHIZOME DIGEST: 11.12.04 -RHIZOME DIGEST: 11.05.04 -RHIZOME DIGEST: 10.29.04 -RHIZOME DIGEST: 10.22.04 -RHIZOME DIGEST: 10.15.04 -RHIZOME DIGEST: 10.08.04 -RHIZOME DIGEST: 10.01.04 -RHIZOME DIGEST: 9.24.04 -RHIZOME DIGEST: 9.17.04 -RHIZOME DIGEST: 9.10.04 -RHIZOME DIGEST: 9.03.04 -RHIZOME DIGEST: 8.27.04 -RHIZOME DIGEST: 8.20.04 -RHIZOME DIGEST: 8.13.04 -RHIZOME DIGEST: 8.06.04 -RHIZOME DIGEST: 7.30.04 -RHIZOME DIGEST: 7.23.04 -RHIZOME DIGEST: 7.16.04 -RHIZOME DIGEST: 7.09.04 -RHIZOME DIGEST: 7.02.04 -RHIZOME DIGEST: 6.25.04 -RHIZOME DIGEST: 6.18.04 -RHIZOME DIGEST: 6.11.04 -RHIZOME DIGEST: 6.04.04 -RHIZOME DIGEST: 5.28.04 -RHIZOME DIGEST: 5.21.04 -RHIZOME DIGEST: 5.14.04 -RHIZOME DIGEST: 5.07.04 -RHIZOME DIGEST: 4.30.03 -RHIZOME DIGEST: 4.16.04 -RHIZOME DIGEST: 4.09.04 -RHIZOME DIGEST: 04.02.04 -RHIZOME DIGEST: 03.27.04 -RHIZOME DIGEST: 03.19.04 -RHIZOME DIGEST: 03.13.04 -RHIZOME DIGEST: 03.05.04 -RHIZOME DIGEST: 02.27.04 -RHIZOME DIGEST: 02.20.04 -RHIZOME DIGEST: 02.13.04 -RHIZOME DIGEST: 02.06.04 -RHIZOME DIGEST: 01.31.04 -RHIZOME DIGEST: 01.23.04 -RHIZOME DIGEST: 01.16.04 -RHIZOME DIGEST: 01.10.04 -RHIZOME DIGEST: 01.05.04 -RHIZOME DIGEST: 12.21.03 -RHIZOME DIGEST: 12.13.03 -RHIZOME DIGEST: 12.05.03 -RHIZOME DIGEST: 11.28.03 -RHIZOME DIGEST: 11.21.03 -RHIZOME DIGEST: 11.14.03 -RHIZOME DIGEST: 11.07.03 -RHIZOME DIGEST: 10.31.03 -RHIZOME DIGEST: 10.25.03 -RHIZOME DIGEST: 10.18.03 -RHIZOME DIGEST: 10.10.03 -RHIZOME DIGEST: 10.03.03 -RHIZOME DIGEST: 9.27.03 -RHIZOME DIGEST: 9.19.03 -RHIZOME DIGEST: 9.13.03 -RHIZOME DIGEST: 9.05.03 -RHIZOME DIGEST: 8.29.03 -RHIZOME DIGEST: 8.22.03 -RHIZOME DIGEST: 8.17.03 -RHIZOME DIGEST: 8.09.03 -RHIZOME DIGEST: 1.17.03 -RHIZOME DIGEST: 1.10.03 -RHIZOME DIGEST: 1.03.03 -RHIZOME DIGEST: 12.20.02 -RHIZOME DIGEST: 12.13.02 -RHIZOME DIGEST: 12.06.02 -RHIZOME DIGEST: 11.29.02 -RHIZOME DIGEST: 11.22.02 -RHIZOME DIGEST: 11.15.02 -RHIZOME DIGEST: 11.01.02 -RHIZOME DIGEST: 10.25.02 -RHIZOME DIGEST: 10.18.02 -RHIZOME DIGEST: 10.11.02 -RHIZOME DIGEST: 10.04.02 -RHIZOME DIGEST: 9.27.02 -RHIZOME DIGEST: 9.20.02 -RHIZOME DIGEST: 9.13.02 -RHIZOME DIGEST: 9.6.02 -RHIZOME DIGEST: 8.30.02 -RHIZOME DIGEST: 8.23.02 -RHIZOME DIGEST: 8.16.02 -RHIZOME DIGEST:8.9.02 -RHIZOME DIGEST: 8.02.02 -RHIZOME DIGEST: 7.26.02 -RHIZOME DIGEST: 7.19.02 -RHIZOME DIGEST: 7.12.02 -RHIZOME DIGEST: 7.5.02 -RHIZOME DIGEST: 6.28.02 -RHIZOME DIGEST: 6.21.02 -RHIZOME DIGEST: 6.14.02 -RHIZOME DIGEST: 6.7.02 -RHIZOME DIGEST: 6.2.02 -RHIZOME DIGEST: 5.26.02 -RHIZOME DIGEST: 5.19.02 -RHIZOME DIGEST: 5.12.02 -RHIZOME DIGEST: 5.5.02 -RHIZOME DIGEST: 4.28.02 -RHIZOME DIGEST: 4.21.02 -RHIZOME DIGEST: 4.14.02 -RHIZOME DIGEST: 4.7.02 -RHIZOME DIGEST: 3.31.02 -RHIZOME DIGEST: 3.23.02 -RHIZOME DIGEST: 3.15.02 -RHIZOME DIGEST: 3.8.02 -RHIZOME DIGEST: 3.3.02 -RHIZOME DIGEST: 2.24.02 -RHIZOME DIGEST: 2.17.02 -RHIZOME DIGEST: 2.10.02 -RHIZOME DIGEST: 2.1.02 -RHIZOME DIGEST: 1.27.02 -RHIZOME DIGEST: 1.18.02 -RHIZOME DIGEST: 1.12.02 -RHIZOME DIGEST: 1.6.02 -RHIZOME DIGEST: 12.30.01 -RHIZOME DIGEST: 12.23.01 -RHIZOME DIGEST: 06.29.01 -RHIZOME DIGEST: 12.2.00 |