The Rhizome Digest merged into the Rhizome News in November 2008. These pages serve as an archive for 6-years worth of discussions and happenings from when the Digest was simply a plain-text, weekly email.
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Subject: RHIZOME DIGEST: 5.08.05 From: digest@rhizome.org (RHIZOME) Date: Mon, 9 May 2005 00:20:35 -0700 Reply-to: digest@rhizome.org Sender: owner-digest@rhizome.org RHIZOME DIGEST: May 8, 2005 Content: +announcement+ 1. Midori Yasuda: ITP, NYU end of the year events 2. Lauren Cornell: Ignivomous presents ART! AT *<>WORK +opportunity+ 3. Kevin McGarry: (call) Memefest-International festival of radicalcommunication +work+ 4. Amy Alexander: Introducing Scream: Software + Activities 5. Eduardo Navas: FW: Art-Domains: new Domains on ebay - NETART 6 hours left 6. Pall Thayer: New work: Autodrawn +commentary+ 7. ryan griffis: Art Critic Misses Big Picture + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org 2005 Net Art Commissions The Rhizome Commissioning Program makes financial support available to artists for the creation of innovative new media art work via panel-awarded commissions. For the 2005 Rhizome Commissions, seven artists were selected to create artworks relating to the theme of Games: http://rhizome.org/commissions/2005.rhiz The Rhizome Commissioning Program is made possible by generous support from the Greenwall Foundation, the Jerome Foundation, the Andy Warhol Foundation for the Visual Arts, and the National Endowment for the Arts. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome is now offering organizational subscriptions, memberships purchased at the institutional level. These subscriptions allow participants of an institution to access Rhizome's services without having to purchase individual memberships. (Rhizome is also offering subsidized memberships to qualifying institutions in poor or excluded communities.) Please visit http://rhizome.org/info/org.php for more information or contact Kevin McGarry at Kevin AT Rhizome.org or Lauren Cornell at LaurenCornell AT Rhizome.org. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 1. Date: 5.03.05 From: Midori Yasuda <midori.yasuda AT nyu.edu> Subject: ITP, NYU end of the year events ITP announces it's end of the year events! ITP is pleased to announce our Spring '05 end of the year show -- and related presentations -- please join us for any or all! Events run from April 29 through May 14. All events are free and open to the public unless otherwise noted. The ITP Spring Show 2005 is the interactive extravaganza that you have come to expect from our students -- 80+ fascinating projects ranging from experiments in physical computing to 3D environments to sonic designs to big games -- May 10 & 11 from 5 to 9 pm. Save the dates, and bring a friend! A full calendar of events here: http://itp.nyu.edu/show Read on for information about Thesis Week presentations (which will also be streamed live on the web), talks, and performances from our Live Image Processing, Future of the Infrastructure and New Interfaces for Musical Expression classes. We look forward to seeing you! --- ITP Thesis Week 2005 Tuesday, May 3 through Saturday, May 7 See http://itp.nyu.edu/thesis for the updated schedule and list of presenters ITP's Thesis Week 2005 gives graduating students the chance to present their final thesis work to the ITP community. Each student will have 20 minutes to present their research and projects they have developed. All presentations will be held at ITP. While the public is invited to attend the presentations, space is limited. Please note that ITP will provide a live video stream of every presentation on the thesis website. --- ITP Spring Show 2005 Tuesday, May 10 from 5 to 9pm Wednesday, May 11 from 5 to 9pm A two-day explosion of interactive sight, sound and technology from the student artists and innovators at ITP. http://itp.nyu.edu/show An oversized Greenwich Village loft houses the computer labs, rotating exhibitions, and production workshops that are ITP -- the Interactive Telecommunications Program. Founded in 1979 as the first graduate education program in alternative media, ITP has grown into a living community of technologists, theorists, engineers, designers, and artists uniquely dedicated to pushing the boundaries of interactivity in the real and digital worlds. A hands-on approach to experimentation, production and risk-taking make this hi-tech fun house a creative home not only to its 230 students, but also to an extended network of the technology industry's most daring and prolific practitioners. Interactive Telecommunications Program Tisch School of the Arts New York University 721 Broadway, 4th Floor South New York NY 10003 Take the left elevators to the 4th Floor These events are free and open to the public No need to RSVP For questions: 212-998-1880 email: itp.inquiries AT nyu.edu http://itp.nyu.edu/show -- Midori L. Yasuda Admissions, Special Events, Alumni Coordinator Interactive Telecommunications Program Tisch School of the Arts New York University 721 Broadway, 4th Floor New York, NY 10003 phone: 212/998-1882 fax: 212/998-1898 http://itp.nyu.edu + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Member-curated Exhibits http://rhizome.org/art/member-curated/ View online exhibits Rhizome members have curated from works in the ArtBase, or learn how to create your own exhibit. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 2. Date: 5.08.05 From: Lauren Cornell <laurencornell AT rhizome.org> Subject: Ignivomous presents ART! AT *<>WORK ------------- May 2005, New York City ?Ignivomous, a non-profit arts organization dedicated to nurturing and developing new genres, art forms and mediums presents ART! AT *<>WORK an art exhibition exploring the tension between the art of doing work and the work of doing art. This show will take place in the cubicles of a midtown Manhattan office space. Fifteen artists will transform and exhibit projects inspired by the act of doing work and the spaces created for working. Visitors will be invited to explore and interact with the space during ?office hours.? ARTIST?S WORK INCLUDES: * Cat Mazza (microRevolt) recreating corporate logos with knitting, machines, and needlepoint. * Sabrina Gschwandtner sewing thread and paper drawings on the machine installed in her cubicle. * LoVid and Douglas Repetto producing patchwork of videos generated by an installation of work clothes and electronic office supplies. * Evan Greenfield and Erika Somogyi creating a shrine to lost free time out of Sculpy clay and wax. * Tony Luib transforming his cubicle into an abstract environment using office supplies. * Michelle Rosenberg?s installation will create a space for daydreaming. * Yoav Bergner replacing the office?s furniture with his own artisan and conceptual furniture. * Elana Langer installing an audio piece complied of field recordings taken from local office spaces. * The group N.I.N.E will launch a new addition to their urban exploration game HERE, HERE AT Work. * Visitors will be invited to take part in the game throughout the show. * Irene Moon presenting a 4? tall microscope as well as photographs and a video animation from her MS thesis in entomology. * Brian Alfred will show a collage entitles Cubicles with a replication of all the tools used to make the work out of paper. * Tom Moody installing an old computer and drawing during visiting hours portraits using the outdated software MSPaintbrush. * Bengala will include their personal experiences from their jobs in a mixed media installation. ART! AT *<>WORK is made possible through Artists Space Independent Project Grant. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 3. Date: 5.04.05 From: Kevin McGarry <kevin AT rhizome.org> Subject: (call) Memefest-International festival of radicalcommunication ------ Forwarded Message From: "Oliver Vodeb" <oliver AT memefest.org> Reply-To: oliver AT memefest.org Date: Tue, 3 May 2005 20:21:17 +0200 (CEST) To: republicart-list AT t0.or.at Subject: [rep_art] (call) Memefest-International festival of radical communication :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Memefest -International Festival of Radical Communication: Call for participation! www.memefest.org :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Dear Friends, For those of you who may not know, Memefest is an annual festival of radical communications that is now four years old. It was started because we feel that positive ideas- memes- can and should spread just as easily as negative and commercial ones. But this can?t happen out of nowhere; and so, every year, we ask students, artists, graphic designers, activists, and anyone with an interest in counter-culture to put their talents to good use. They (this means you!) can choose to submit your works to one of our four categories: communication studies, sociology, visual arts (all open to undergraduate and graduate students of any discipline), and Beyond?, open to students and non-students alike. The first two require a written response to a critical and current text in cultural studies; visual arts asks for static, moving or interactive works in response to another (different, though equally relevant, piece), while Beyond?requests a response whose form breaches mainstream academic and art conventions- it can be anything, so long as its message is positive- and infectious! Please consider this a personal invitation for each and every one of you to take part in this year?s festival in some way. The text for the communication and sociology category is an excerpt from Douglas Rushkoff?s ?Nowhere to Hide,? which deals with the subversive attempts of advertisers to stay ?one step ahead? of even the most conscious (and cynical) consumer. The text for visual arts and Beyond? is ?The People?s Communication Charter,? an insistent proclamation for an utopian society where all citizens have equal access to communication. The jury for all four categories continues to be comprised of world-renowned scholars, artists, and devoted activists. Beside traditional Jury members like art critic, activist and translator Brian Holmes and Adbusters? producer and art director Paul Shoebridge, new additions this year include Chris Habib, Sonic Youth?s photographer and designer, who was instrumental in New York?s Liberty Street Protest, and is the co-founder of Protest Records, Claire Pentecost, who runs the Critical Art Ensemble Defense Fund and new media artist and multimedia essayist Giselle Beiguelman.<br><br> Check out our site, and see what we?re about. And, check out pieces and writing from students of the last few years. Memefest 2004 received more than 350 entries, from 36 Countries and this year we hope to top that; but, we need your help! The contest is run completely on-line and all the required texts and registration can be found at: www.memefest.org Also drop us an e-mail if you?ve got some ideas, some questions, or would like to collaborate on the project. <memefest AT memefest.org> <b>Deadline for submissions is May 20th, 2005. Subvert, Create, Enjoy! The Creators of Memefest 2005 www.memefest.org/en We, the organizers of Memefest 2005, ask you to forward this e-mail to as many people as possible. The media usually make it difficult for us to get publicity by censoring, or ignoring Memefest, so please help us as an ?alternative? disseminator. ------ The republicart mailing list functions as an open forum to post announcements and exchange information on projects, events, publications etc. related to participatory, interventionist and activist practices in public art. to post a message mail to: republicart-list AT t0.or.at info/archive/subscribe/unsubscribe: http://mailman.t0.or.at/wwsympa.fcgi/info/republicart-list ------ End of Forwarded Message + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 4. Date: 5.03.05 From: Amy Alexander <plagiari AT plagiarist.org> Subject: Introducing Scream: Software + Activities Introducing Scream http://scream.deprogramming.us Scream is a software application to facilitate screaming. Scream sits quietly in your computer's system tray and automatically springs into action when it detects a scream. Scream disturbs your Windows interface. But it isn't aimed just at computer frustrations. In a world where "anger" is paired with "management," Scream encourages the return to prominence of the lost art of screaming. As Howard Beale said in 1976, "I don't have to tell you things are bad.... all I know is that first you've got to get mad." But whereas Howard advised his viewers to turn their television sets off to get mad, Scream proposes that you leave your computer on. Scream can be used in private. Or public. It can be used at home, at work, or on the street; at a Fluxus-style Scream-in; at the mall or at your favorite cafe. When your throat gets tired, Scream can double as an unusual music visualizer - or as a new approach to digital filmmaking. Use Scream to start a meme. Or simply as a random act of deprogramming. Scream - The Screaming Enhancer. (Also indicated for use with door slams, domestic disputes, and police helicopters.) More info, demo movies, software download and more at: http://scream.deprogramming.us For more Deprogramming software, VJ/musical performances, and more(?) visit the deprogramming.us homepage at: http://deprogramming.us -- Note - Mail sent to the email address in the header may or may not actually reach me! A current, fully-functional address for me can always be found at the bottom of the http://plagiarist.org home page. Danke, gracias and thanks! + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 5. Date: 5.07.05 From: Eduardo Navas <eduardo AT navasse.net> Subject: FW: Art-Domains: new Domains on ebay - NETART 6 hours left ------ Forwarded Message From: Peter Luining <email AT ctrlaltdel.org> Organization: ctrlaltdel Date: Fri, 06 May 2005 13:58:55 +0200 To: email AT ctrlaltdel.org Subject: Art-Domains: new Domains on ebay - NETART 6 hours left NETART.US current bid on ebay $ 1.75 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5771116235&; rd=1&ssPageName=WDVW NETART.US auction ends Ends May-06-05 10:25:53 (PDT) Los Angeles Ends May-06-05 19:25:53 (CET) Amsterdam, Berlin, Paris New Art-Domains on ebay FLASHART.US http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5772721737&; rd=1&ssPageName=WDVW CINDYSHERMAN.INFO http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5772722492&; rd=1&ssPageName=WDVW TIMEBASEDARTS.COM http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=11153&item=5772722771 &rd=1&ssPageName=WDVW The above domainnames are auctioned by Art-Domains a project by Peter Luining. For more info about the project visit http://www.ctrlaltdel.org For more art related domain names visit http://www.art-domains.com ------ End of Forwarded Message + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Support Rhizome: buy a hosting plan from BroadSpire http://rhizome.org/hosting/ Reliable, robust hosting plans from $65 per year. Purchasing hosting from BroadSpire contributes directly to Rhizome's fiscal well-being, so think about about the new Bundle pack, or any other plan, today! About Broadspire Broadspire is a mid-size commercial web hosting provider. After conducting a thorough review of the web hosting industry, we selected Broadspire as our partner because they offer the right combination of affordable plans (prices start at $14.95 per month), dependable customer support, and a full range of services. We have been working with Broadspire since June 2002, and have been very impressed with the quality of their service. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 6. Date: 5.07.05 From: Pall Thayer <palli AT pallit.lhi.is> Subject: New work: Autodrawn Autodrawn: Sketching landscapes seen through my windows http://pallit.lhi.is/autodrawn -- _______________________________ Pall Thayer artist/teacher http://www.this.is/pallit http://pallit.lhi.is/panse Lorna http://www.this.is/lorna _______________________________ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 7. Date: 5.02.05 From: ryan griffis <grifray AT yahoo.com> Subject: Art Critic Misses Big Picture Since others were discussing the NYT review of the cyberarts festival, i thought i'd post Steve Dietz's response from his blog. he rightly criticizes the author not for a lack of knowledge about interactive art per se, but contemporary art in general. http://www.yproductions.com/WebWalkAbout/archives/000701.html Art Critic Misses the Big Picture It's not that Sarah Boxer is clueless. I don't believe that someone has to "get" interactive art to write about it. Maybe some of the artwork she skewers in her April 26 New York Times review of the Boston Cyberarts Festival, Art That Puts You in the Picture, Like It Or Not, is as "irritating" as she claims it is. What should concern her readers, and even more so her editors, is her apparent lack of perspective about contemporary art. Let us count the ways. Boxer: Problem No. 1: potty-mouthed machines. "PS," by Gretchen Skogerson and Garth Zeglin at the Stata Center, is an oval mirror with a sign that bids you "lean in close." You do. A voice says, "I like to masturbate in public." Ack. Did anyone else hear that? Can anyone say Seedbed? For his notorious and influential performance at Sonabend Gallery in 1972, Vito Acconci lay beneath the floorboards of a constructed ramp masturbating while his fantasies about the visitors above him were broadcast over loudspeakers. Ack. Boxer: Problem No. 2: too much ritual, too little time. "1-Bit Love," by Noah Vawter, is a musical altar, a totem covered in foil and exuding a synthetic rhythm (a one-bit wave form). The pillar has red velvet knobs. People are supposed to lay hands on it and turn the knobs to modulate the sound. No one wants to be the first to paw the idol. And once you do, it's not clear what effect you are having. [emphasis added] Compare: Nam June Paik, Participation TV, 1963 - 1966 [Participation TV I] concerns a purely acoustic-oriented type of , with an integrated microphone. The later version serves a television showing in the middle of its screen a colored bundle of lines which explosively spread out to form bizarre-looking line formations the moment someone speaks into the microphone or produces any other type of sound. Depending on the sound¹s inherent quality or volume, the signals are intensified by a sound-frequency amplifier to produce an endless variety of line formations which never seem to repeat themselves or be in any way predictable. [emphasis added] (via Media Art Net) Boxer: [P]roblem No. 3: ungraciousness. Machines make no bones about their own flaws, but are unbending about yours. Let's just stick to photography (another machine art). Gary Winogrand. Diane Arbus. Lee Friedlander. Tina Barney. Lisette Modell. Shelby Lee Adams. Susan Meiselas (Carnival Strippers). Bill Owens. Walker Evans. Bruce Gilden. Nan Goldin, Richard Avedon (The American West). Stop me, please. Boxer: [P]roblem No. 4: moral superiority. Consider "Applause," by Jeff Lieberman, Josh Lifton, David Merrill and Hayes Raffle. You stoop to enter a curtained booth. (Already you're in the weak position.) There's a movie screen divided into three parts, and in front of each is a microphone. Clap vigorously into one of the microphones and the movie screen in front of it comes to life, playing its movie. Stop clapping and the action grinds to a halt. Now, wouldn't it be great if you could get all three screens going at once? You can! Just run from mike to mike, clapping in front of all three. Now they're all going! Uh-oh. It's Hitler giving a speech. And there you are clapping like crazy, you idiot. Compare: Paul McCarthy, Documents(1995-1999). "Selections of 8 x 10 photographs with images of Disneyland and other American pop items and images from Nazi Germany, mounted and framed." (via) You should hear the docents trying to explain that one without making the public feel like idiots. My point is not that the work at the Cyberarts Festival necessarily compares favorably with these iconic works of contemporary art, but Boxer's reasoning is lazy at best. And yet it is so commmonplace in the mainstream press as to be almost not worth mentioning, except that this hasn't always been true at the Times. To give Boxer credit, she does not fixate on the cost, collectability, or technology of the works, but neither does she provide even the most minimal sense of context, except her own apparent discomfort at being in the picture. This despite almost a half century of contemporary art that does just that from Michelangelo Pistoletto to Bruce Nauman to Dan Graham to Andrea Fraser to Janet Cardiff to ... I don't know whether to laugh or cry. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome ArtBase Exhibitions http://rhizome.org/art/exhibition/ Visit the third ArtBase Exhibition "Raiders of the Lost ArtBase," curated by Michael Connor of FACT and designed by scroll guru Dragan Espenschied. http://rhizome.org/art/exhibition/raiders/ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org is a 501(c)(3) nonprofit organization and an affiliate of the New Museum of Contemporary Art. Rhizome Digest is supported by grants from The Charles Engelhard Foundation, The Rockefeller Foundation, The Andy Warhol Foundation for the Visual Arts, and with public funds from the New York State Council on the Arts, a state agency. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Digest is filtered by Kevin McGarry (kevin AT rhizome.org). ISSN: 1525-9110. Volume 10, number 19. Article submissions to list AT rhizome.org are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info AT rhizome.org. To unsubscribe from this list, visit http://rhizome.org/subscribe. Subscribers to Rhizome Digest are subject to the terms set out in the Member Agreement available online at http://rhizome.org/info/29.php. Please invite your friends to visit Rhizome.org on Fridays, when the site is open to members and non-members alike. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + |
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-RHIZOME DIGEST: 1.08.05 -RHIZOME DIGEST: 1.01.05 -RHIZOME DIGEST: 12.17.04 -RHIZOME DIGEST: 12.10.04 -RHIZOME DIGEST: 12.03.04 -RHIZOME DIGEST: 11.26.04 -RHIZOME DIGEST: 11.19.04 -RHIZOME DIGEST: 11.12.04 -RHIZOME DIGEST: 11.05.04 -RHIZOME DIGEST: 10.29.04 -RHIZOME DIGEST: 10.22.04 -RHIZOME DIGEST: 10.15.04 -RHIZOME DIGEST: 10.08.04 -RHIZOME DIGEST: 10.01.04 -RHIZOME DIGEST: 9.24.04 -RHIZOME DIGEST: 9.17.04 -RHIZOME DIGEST: 9.10.04 -RHIZOME DIGEST: 9.03.04 -RHIZOME DIGEST: 8.27.04 -RHIZOME DIGEST: 8.20.04 -RHIZOME DIGEST: 8.13.04 -RHIZOME DIGEST: 8.06.04 -RHIZOME DIGEST: 7.30.04 -RHIZOME DIGEST: 7.23.04 -RHIZOME DIGEST: 7.16.04 -RHIZOME DIGEST: 7.09.04 -RHIZOME DIGEST: 7.02.04 -RHIZOME DIGEST: 6.25.04 -RHIZOME DIGEST: 6.18.04 -RHIZOME DIGEST: 6.11.04 -RHIZOME DIGEST: 6.04.04 -RHIZOME DIGEST: 5.28.04 -RHIZOME DIGEST: 5.21.04 -RHIZOME DIGEST: 5.14.04 -RHIZOME DIGEST: 5.07.04 -RHIZOME DIGEST: 4.30.03 -RHIZOME DIGEST: 4.16.04 -RHIZOME DIGEST: 4.09.04 -RHIZOME DIGEST: 04.02.04 -RHIZOME DIGEST: 03.27.04 -RHIZOME DIGEST: 03.19.04 -RHIZOME DIGEST: 03.13.04 -RHIZOME DIGEST: 03.05.04 -RHIZOME DIGEST: 02.27.04 -RHIZOME DIGEST: 02.20.04 -RHIZOME DIGEST: 02.13.04 -RHIZOME DIGEST: 02.06.04 -RHIZOME DIGEST: 01.31.04 -RHIZOME DIGEST: 01.23.04 -RHIZOME DIGEST: 01.16.04 -RHIZOME DIGEST: 01.10.04 -RHIZOME DIGEST: 01.05.04 -RHIZOME DIGEST: 12.21.03 -RHIZOME DIGEST: 12.13.03 -RHIZOME DIGEST: 12.05.03 -RHIZOME DIGEST: 11.28.03 -RHIZOME DIGEST: 11.21.03 -RHIZOME DIGEST: 11.14.03 -RHIZOME DIGEST: 11.07.03 -RHIZOME DIGEST: 10.31.03 -RHIZOME DIGEST: 10.25.03 -RHIZOME DIGEST: 10.18.03 -RHIZOME DIGEST: 10.10.03 -RHIZOME DIGEST: 10.03.03 -RHIZOME DIGEST: 9.27.03 -RHIZOME DIGEST: 9.19.03 -RHIZOME DIGEST: 9.13.03 -RHIZOME DIGEST: 9.05.03 -RHIZOME DIGEST: 8.29.03 -RHIZOME DIGEST: 8.22.03 -RHIZOME DIGEST: 8.17.03 -RHIZOME DIGEST: 8.09.03 -RHIZOME DIGEST: 1.17.03 -RHIZOME DIGEST: 1.10.03 -RHIZOME DIGEST: 1.03.03 -RHIZOME DIGEST: 12.20.02 -RHIZOME DIGEST: 12.13.02 -RHIZOME DIGEST: 12.06.02 -RHIZOME DIGEST: 11.29.02 -RHIZOME DIGEST: 11.22.02 -RHIZOME DIGEST: 11.15.02 -RHIZOME DIGEST: 11.01.02 -RHIZOME DIGEST: 10.25.02 -RHIZOME DIGEST: 10.18.02 -RHIZOME DIGEST: 10.11.02 -RHIZOME DIGEST: 10.04.02 -RHIZOME DIGEST: 9.27.02 -RHIZOME DIGEST: 9.20.02 -RHIZOME DIGEST: 9.13.02 -RHIZOME DIGEST: 9.6.02 -RHIZOME DIGEST: 8.30.02 -RHIZOME DIGEST: 8.23.02 -RHIZOME DIGEST: 8.16.02 -RHIZOME DIGEST:8.9.02 -RHIZOME DIGEST: 8.02.02 -RHIZOME DIGEST: 7.26.02 -RHIZOME DIGEST: 7.19.02 -RHIZOME DIGEST: 7.12.02 -RHIZOME DIGEST: 7.5.02 -RHIZOME DIGEST: 6.28.02 -RHIZOME DIGEST: 6.21.02 -RHIZOME DIGEST: 6.14.02 -RHIZOME DIGEST: 6.7.02 -RHIZOME DIGEST: 6.2.02 -RHIZOME DIGEST: 5.26.02 -RHIZOME DIGEST: 5.19.02 -RHIZOME DIGEST: 5.12.02 -RHIZOME DIGEST: 5.5.02 -RHIZOME DIGEST: 4.28.02 -RHIZOME DIGEST: 4.21.02 -RHIZOME DIGEST: 4.14.02 -RHIZOME DIGEST: 4.7.02 -RHIZOME DIGEST: 3.31.02 -RHIZOME DIGEST: 3.23.02 -RHIZOME DIGEST: 3.15.02 -RHIZOME DIGEST: 3.8.02 -RHIZOME DIGEST: 3.3.02 -RHIZOME DIGEST: 2.24.02 -RHIZOME DIGEST: 2.17.02 -RHIZOME DIGEST: 2.10.02 -RHIZOME DIGEST: 2.1.02 -RHIZOME DIGEST: 1.27.02 -RHIZOME DIGEST: 1.18.02 -RHIZOME DIGEST: 1.12.02 -RHIZOME DIGEST: 1.6.02 -RHIZOME DIGEST: 12.30.01 -RHIZOME DIGEST: 12.23.01 -RHIZOME DIGEST: 06.29.01 -RHIZOME DIGEST: 12.2.00 |