The Rhizome Digest merged into the Rhizome News in November 2008. These pages serve as an archive for 6-years worth of discussions and happenings from when the Digest was simply a plain-text, weekly email.
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Subject: RHIZOME DIGEST: 3.12.08 From: list@rhizome.org (RHIZOME) Date: Wed, 12 Mar 2008 10:20:35 -0400 Reply-to: digest@rhizome.org Sender: owner-digest@rhizome.org RHIZOME DIGEST: March 12, 2008 Content: +opportunity+ 1. Rhizomer: Call For Proposals: SoundLAB VI - soundPOOL 2. Claire Sexton: Art in General Open Call 3. folly: JOB VACANCY AT FOLLY: CREATIVE DIRECTOR (MATERNITY COVER) 4. alex young: Call For Entries: DRAIN journal of contemporary art and culture 5. Rhizomer: Call For Entries: Au Courant 6. Rhizomer: Call For Proposals: netEX: calls, deadlines March 2008 7. Rhizomer: Call For Projects: European Sound Delta +announcement+ 8. Turbulence.org: Programmable Media II: Networked Music 9. Rhizomer: FILMOBILE 10. ric royer: Transmodern Festival 2008 11. Miss Hiss: 24 Hour Riot at DEADTECH 12. ryan griffis: Touring Olympia + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 1. FROM: Rhizomer DATE: March 7, 2008 SUBJECT: Call For Proposals: SoundLAB VI - soundPOOL SoundLAB - sonic art project environments http://soundlab.newmediafest.org is happy to make 2 announcements: 1. Call for soundart for SoundLAB VI Deadline: 30 November 2008 2. SoundLAB IV on FILE Rio 2008 ---------------------------------------------- 1. Call for entries: SoundLAB VI - soundPOOL- sound compositions - a challenge for imagination - SoundLAB is looking for its 6th edition to be launched in March 2009, sound compositions which represent a real challenge for human imagination All details, the complete call, the regulations and entry form can be found here http://www.nmartproject.net/netex/?p=242 ---------------------------------------------- 2. SoundLAB IV - "memoryscapes" - launched in 2006 http://soundlab.newmediafest.org/blog/?page_id=20 incorporating sound works by 144 soundartists - previously presented in Palestine, Poland, Italy and Argentina and on FILE Hipersonica Festival 2007 Sao Paulo/Brazil, is participating now in FILE - Electronic Language Festival Rio 2008 http://www.file.org.br 26 February - 29 March 2008 ------------------------------------------------ SoundLAB - sonic art project environments [url]http://soundlab. newmediafest.org[/url] corporate part of [NewMediaArtProjectNetwork]:||cologne www.nmartproject.net directed by Wilfried Agricola de Cologne Visit also SoundLAB I -V on - [url]http://soundlab. newmediafest.org[/url] + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Theatre/Video: Assistant Professor (tenure track to begin August 2008). MFA required, Ph.D. or equivalent professional and academic experience considered. Teaching responsibilities may include, but are not limited to, courses in: acting; voice/diction; on-camera performance; directing; script analysis and script writing; digital video production and editing. Other duties may include directing Theatre/Video productions; collaborating with colleagues on other productions and activities, mentoring students with their creative processes; departmental and institutional support. Qualified applicants must submit letter of interest (include email address if applicable), vita, unofficial transcripts, evidence of teaching effectiveness, recent examples of personal work and at least three letters of reference (to be sent directly by references or confidential placement file) to: Dr. Marilyn D. Hunt, Chair, Department of Communication Studies & Theatre, Missouri Western State University, 4525 Downs Drive, St. Joseph, Missouri 64507. Deadline: December 1, 2007 or until filled. Review of applications will begin immediately. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 2. FROM: Claire Sexton DATE: March 7, 2008 SUBJECT: Art in General Open Call Art in General facilitates the production and exhibition of artist’s proposed projects, shifting its mode of support according to what is required for the full realization of their art work. The open call period for 2008 lasts until 11:59 pm Monday March 31st. If you would like to submit a proposal, go to our open call website http://commissions.artingeneral.org, read all the guidelines and restrictions, create your profile and get to work! The annual open call is not designed to respond to a given theme, site, or moment. It is open-ended with the intention of inviting artists to profoundly explore their individual interests, and for them to develop a proposal that is in principle rooted in their ongoing or burgeoning interests. Art in General is interested in commissioning works that are creative, inventive, and that propose critical and imaginative approaches to content and form. The selection process also takes into account the many and diverse artistic practices that artist develop and make use of today, with the purpose of presenting various ways of being, experiencing, and working in this world. Art in General has a different relationship to each artist, and thus to each project. To intellectually and logistically address the artist’s project proposal, Art in General acts primarily as a catalyst, sometimes as a co-producer, and other times as the starting point of a larger, long-term artistic endeavor. And this is what the commissions program aims for: to provide the artists with an optimal support structure and venue to realize and present their work in the best form—an exhibition, an event, a performance, a location-based work in the public domain or the very platforms of discursive space. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Film/Video/Theatre: Assistant Professor, (tenure-track position to begin August 2008) – dynamic individual to teach courses in progressive integrated video/film and theatre department with emerging interdisciplinary graduate program in applied media arts. Department requires innovative professional to oversee the technical production of video, film, and live production and assist in curricular development of graduate classes. Required: M.F.A. in film, video, multi-media, theatre or closely related field. Must demonstrate evidence of quality teaching/advising and commitment to undergraduate and graduate education. Applicant must have expertise with cinematography, lighting, sound and live theatrical production. Applicant must also have a working knowledge in the Macintosh environment, including the major non-linear applications utilized in post-production. Applicant will teach courses as needed but must be able to teach film, video and live technical production. Qualified applicants must submit a letter of interest including e-mail address; vita; recent examples of personal work; and at least three letters of reference (to be sent directly by references or confidential placement file) to: Dr. M. D. Hunt, Chair, Department of Communication Studies & Theatre, Missouri Western State University, 4525 Downs Drive, Murphy Hall 207, St. Joseph, Missouri 64507. Deadline: December 1, 2007 or until filled. Review of applications will begin immediately. AA/EOE. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 3. FROM: folly DATE: March 10, 2008 SUBJECT: JOB VACANCY AT FOLLY: CREATIVE DIRECTOR (MATERNITY COVER) JOB VACANCY AT FOLLY: CREATIVE DIRECTOR (MATERNITY COVER) Job Title: Creative Director, maternity Cover (part time) Terms: 0.6 fixed term freelance contract for 9 months. Salary :25,000 to 28,000 pro rata Closing date: 20th March 2008 Reports to: folly Chief Executive, Taylor Nuttall Number of Job holders: 1 Apply for application pack to: Brigit Colton, folly, 6.4.4 Alston House, White Cross, Lancaster LA1 4XQ. 01524 388 550 brigit.colton AT folly.co.uk www.folly.co.uk Principal purpose of the job: To provide maternity cover (approx. 9 months) for the artistic leadership of the organisation. Context: folly is a leading digital arts organisation, based in the North West of England. A temporary post is required to cover maternity leave cover for Kathryn Lambert, Creative Director of folly. This is an exciting opportunity to join folly and to contribute towards the development of the organisation and its current artistic programme of projects. Key responsibility will be to oversee the delivery of this years programme and to put into place plans for 2009. We are seeking an individual who can significantly contribute to building upon the success of this years Velocity festival, extending projects such as Digi Club, Digital Artists Handbook and driving our new Big Lottery funded project Portable Pixel Playground forwards. You will bring extensive experience of working in the media arts sector and in developing online audiences. You will be a proactive fundraiser and will strengthen our collaborative partnerships nationally and internationally. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Digital Media Summer Workshops Spend one to three weeks in Aspen this summer extending the capabilities of digital media. Anderson Ranch Arts Center proudly announces 25 digital media/multimedia/photo workshops beginning June 2nd. '08 faculty includes: Joshua Davis, Zoe Strauss, Christina McPhee, Mary Lucier, Amy Arbus, Greg Gorman, Carlan Tapp, Golan Levin, Robin Lasser, Laura McPhee, Kati Toivanen, Elliot Earls, Deborah Bright, and more. Call 970-923-3181 or email info AT andersonranch.org for a printed catalog or apply online, by April 1, 2008, at www.andersonranch.org/workshops/. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 4. FROM: alex young DATE: March 10, 2008 SUBJECT: Call For Entries: DRAIN journal of contemporary art and culture - Psychogeography Psychogeography In 1955, Guy Debord described psychogeography as “the study of the specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals.” Debord’s psychogeographical map The Naked City (1957) challenged traditional ideas of mapping relating to scale, location, and fixity, and drew on the work of urban social geographer Paul-Henri Chombart de Lauwe’s concept of the city as a conglomeration of distinct quarters, each with its own special function, class divisions, and “physiognomy,” which linked the idea of the urban plan to the body. An important strategy of the pyschogeographical was the derive, “a technique of transient passage through varied ambiences”. The ‘psychogeographical’ has had a pervasive if somewhat amorphous role in contemporary art and culture. As a creative, social and political tactic, wandering through psychogeographic spaces is pertinent to a diverse range of practices including the use of GPS systems, Internet art, photography as well as sound and performance art. This issue of Drain attempts to gather a series of essays, artworks and creative writings that reflect on the current state of psychogeography. How have contemporary artists, writers and thinkers interpreted, or been influenced by, the legacy of psychogeography? Abstract deadline: April 15th, 2008 Submission deadline: June 1, 2008 Launch: August 1, 2008 Please send written submissions to: Celina AT drainmag.com For all art projects, contact: Celina AT drainmag.com, Avantika AT drainmag.com + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 5. FROM: Rhizomer DATE: March 12, 2008 SUBJECT: Call For Entries: Au Courant (printable pdf available at: http://www.damstuhltrager.com/exhibit_years/AU_COURANT.pdf ) DAM , STUHLTRAGER GALLERY C A L L F O R E N T R I E S Currently accepting submissions for "AU COURANT" A survey of the newest in Contemporary Art Curated by Leah Stuhltrager and Jacqueline Friscia Curators of "AU COURANT" are seeking works in all mediums that push boundaries and blaze new frontiers in Contemporary Art. Work submitted must have been created after January 2007. THE TIME IS NOW. Deadline for submissions: March 31, 2008 About the CALL FOR ENTRIES: Dam, Stuhltrager rarely holds CALL FOR ENTRIES... But has a glowing success record when it does. In the gallery's ten year history, there's been only two CALL FOR ENTRIES. The first was "GRITTY" in 2004. It was a success with critics. The second, "SHOOT" in 2005, was open only to film. After screening to over 1000 viewers in three days, "SHOOT" traveled to Madrid where it represented American film at the Circulo de Bellas Artes. "SHOOT" garnered rave reviews both in New York and in Spain. (More online: http://www.damstuhltrager.com/shoot/shoot_1.htm) THE TIME IS NOW. Deadline for submissions to "AU COURANT" : March 31, 2008. About the GALLERY & CURATORS: Founded in 1998, Dam, Stuhltrager is a contemporary art gallery in Williamsburg, Brooklyn. The gallery is known as an incubus of emerging talent and for groundbreaking exhibitions that incorporate technology or utilize mediums in a new, fresh way. In response to their innovative artists, Dam, Stuhltrager has been asked to provide large public installations in some of the most visible venues and events throughout the world. Since 2006, the gallery has presented public in Miami, Madrid, Lincoln Center/NY, Coachella/LA, Basel and Turkey. In 2008, the gallery was asked to present contemporary new media in Russia. (Leah Stuhltrager and Jacqueline Friscia are both on the curatorial team at Dam, Stuhltrager.) CALENDAR: Submission Deadline: March 31, 2008 Artist Notification: May 31 Receive Selected Work at Dam, Stuhltrager: June 9 - June 11 "AU COURANT" OPENING: Friday, July 13, 2008 (7-10pm) EXHIBITION DATES: July 13 - July 27 Pickup of Selected Work at Dam, Stuhltrager: July 27- July 30 ____________________________________________________________________ DAM , STUHLTRAGER GALLERY C A L L F O R E N T R I E S "AU COURANT" ENTRY FORM / CHECKLIST: All genres and mediums are encouraged to apply. For consideration, submit the following materials: ___ Entry Form/Checklist ___ CD (7-10 images. 300dpi. JPEGs only.) or DVD (No more than 5 min.) ___ Printed CD/DVD Image List w/thumbnails ___ Artist Statement ___ $20.00 submission fee (Check or Money Order. Payable to: Dam, Stuhltrager.) ___ Return Postage (Materials will not be returned without inclusion of proper postage.) Mail to: "AU COURANT" Attn. Jacqueline Friscia (c/o Dam, Stuhltrager, 38 Marcy Ave., Brooklyn, NY 11211) ARTIST CONTACT INFORMATION: Artist Name: Address: Phone: Email: Gallery Contact: Dam, Stuhltrager 38 Marcy Ave Brooklyn, NY 11211 www.damstuhltrager.com info AT damstuhltrager.com + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Organizational memberships with Rhizome Sign your library, university or organization up for a Rhizome organizational membership! Give your community access to the largest online archives of digital art and new media art-related writing, the opportunity to organize member-curated exhibitions, participate in critical discussion, community boards, and learn about residency, educational and professional possibilities. Rhizome also offers subsidized memberships for qualifying institutions with limited access to the Internet. Please visit http://rhizome.org/info/org.php for more information or contact sales AT rhizome.org + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 6. FROM: Rhizomer DATE: March 12, 2008 SUBJECT: Call for Proposals: netEX: calls, deadlines March 2008 - II netEX: calls, deadlines March 2008 - II ------------------------------------- [NewMediaArtProjectNetwork]:||cologne calls & deadlines contents 02 Calls: 2008 deadlines internal 13 Calls: MARCH deadlines external 08 Calls: ongoing external/internal ------------------------------------- Calls & deadlines ---> ------------------------------------------------ 2008 deadlines: internal ------------------------------------------------ 30 June CologneOFF IV - 4th Cologne Online Film Festival http://www.nmartproject.net/netex/?p=238 30 November SoundLAB VI - soundart for soundPOOL - sound compositions - a challenge for imagination http://www.nmartproject.net/netex/?p=242 ------------------------------------------------ MARCH 2008 deadlines: external ------------------------------------------------ 31 March soundart for 1st Canadian 60×60 project http://www.nmartproject.net/netex/?p=253 31 March Visions in the Nunnery 2008 London/UK http://www.nmartproject.net/netex/?p=244 31 March Video Art Festival Miden Kalamata/Greece http://www.nmartproject.net/netex/?p=206 31 March Munich International Shortfilm Festival http://www.nmartproject.net/netex/?p=243 31 March The Last Book Project http://www.nmartproject.net/netex/?p=187 23 March FID - International Documentary Festival Marseille/F http://www.nmartproject.net/netex/?p=213 16 March European Mobile Lab for Interactive Artists http://www.nmartproject.net/netex/?p=232 15 March Open Eyes Shortfilm Film Fest Marburg/Germany http://www.nmartproject.net/netex/?p=236 15 March Secret Portraits - UAVM http://www.nmartproject.net/netex/?p=246 15 March Mobile Phone Movies for 5th Naoussa VideoFestival (Greece) http://www.nmartproject.net/netex/?p=224 15 March Soundart for European Sound Delta http://www.nmartproject.net/netex/?p=240 14 March EcoVision Film Festival Palermo/Italy http://www.nmartproject.net/netex/?p=172 14 March Darklight Film Festival Dublin/Ireland http://www.nmartproject.net/netex/?p=225 ----------------------------------------------- Ongoing calls: external/internal ----------------------------------------------- --->OUTCASTING - web based screenings -->Projects for FILE LABO Sao Paulo/Brazil -->Films and video screenings Sioux City (USA) -->Laisle screenings Rio de Janeiro/Brazil -->Videos for Helsinki based video gallery - 00130 Gallery -->Web based works for 00130 Gallery Helsinki/Finland -->Project: Repetition as a Model for Progression by Marianne Holm Hansen -->Raw Video New York/NY (USA) -->US webjournal Atomic Unicorn seeks netart and video art for coming editions and more deadlines on http://www.nmartproject.net/netex/?page_id=4 ----------------------------------------------- NetEX - networked experience http://netex.nmartproject.net # calls in the external section--> http://www.nmartproject.net/netex/?cat=3 # calls in the internal section--> http://www.nmartproject.net/netex/?cat=1- ---------------------------------------------- # NetEx - networked experiences http://netex.nmartproject.net is a free information service powered by [NewMediaArtProjectNetwork]:||cologne www.nmartproject.net - the experimental platform for Art and New Media from Cologne/Germany # info & contact: info (at) nmartproject.net + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 7. FROM: Rhizomer DATE: March 12, 2008 SUBJECT: Call for projects: European Sound Delta ---------------CALL---------------------------------------------------------------------- Sound Art - Call for projects & residencies - summer 2008 --> Deadline 21th of March 2008 EUROPEAN SOUND DELTA is a mobile project on the Danube & Rhine Rivers focusing on radio-art using sounds of European cities. Two teams will be travelling on both rivers this summer, recording sounds, producing live performances and radio broadcasts with local sound-artists. A final exhibition is scheduled in Strasbourg-F by the end of September 2008. International sound artists are invited to apply with a project meant to be created on one of the trans-European floating labs. >> keywords : radio, sound art, media art, field recordings Main Objectives: --> To give young people the experience of a professional mobile project --> A documentary artistic research on cultural identities of European cities --> Built a new european network in the field of sound art --> Experiment ICT via innovative artistic practices Participating countries: --> Austria, Belgium, Bulgaria, Croatia, France, Germany, Hungary, Netherlands, Romania, Serbia & Slovakia Associated curators: Valerie Vivancos (www.vibrofiles.com) and Joachim Montessuis (www.autopoiese.org) Participating artists & residents (list not closed) : Aymeric De Tapol, Tonic Train, Dinahbird, Jopo Stereo, SIC: Hori Cosmin Samoil, Ewen Chardronnet, Alejandra Perez Nunez, Julien Ottavi, Chris Watson, Vincent Epplay, Alejandra & Aeron, Robert Hampson, Kassel Jaeger, AGF, Jorg Piringer, Yannick Dauby, Christian Zanesi, Phil Niblock, Charlemagne Palestine, Jean-Philippe Roux, Gael Segalen, Philip Griffiths, Joachim Montessuis Full project Description & Application Form : www.sound-delta.eu ------------------------------------------------------------------------- + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Commissions Program In 2009, Rhizome will award seven commissions with fees ranging from $3000-$5000. This year, Rhizome has expanded our scope, formerly focused strictly on Internet-based art to encompass the broad range of practices that fall under new media art. This includes projects that creatively engage new and networked technologies to works that reflect on the impact of these tools and media in a variety of forms. With this expanded format, commissioned works can take the final form of online works, performance, video, installation or sound art. Projects can be made for the context of the gallery, the public, the web or networked devices. This year, all applicants will be reviewed by a selected jury and several awards will be granted through Rhizome's membership in an open, community vote. Proposal submission takes place online. The deadline is midnight on Monday, March 31, 2008. To Download the Call for Proposals and Submit a Proposal, visit: http://rhizome.org/commissions/ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 8. FROM: Turbulence.org DATE: March 7, 2008 SUBJECT: Programmable Media II: Networked Music Programmable Media II: Networked Music, a one-day symposium examining the current and future possibilities of network-enabled music, will be held on April 11, 2008 at Pace University, NYC. The symposium is free and open to the public, and will include artist presentations and live performances. Based on the rapidly expanding archive of music/sound experiments to be found on Networked Music Review and the fifteen short works recently commissioned for it, the symposium aims to stimulate critical and far-ranging discussion on emerging music and sound art practice. To register, email turbulence at turbulence dot org with "Programmable Media II" as the subject. Symposium Program Date: April 11, 2008 Venue: The Multipurpose Room, 1 Pace Plaza, Pace University 10:00 am – 10:45 am: Introduction by Helen Thorington and Peter Traub Thorington and Traub will set the groundwork for the conference by introducing a variety of recent works from Networked Music Review and discussing the history, ideas, tools, and theory behind today’s creative practice. 11:00 am – 1:00 pm: Round-table discussion Panelists: Dan Trueman, Peter Traub, Zach Layton, Sawako Kato, Jason Freeman (moderator) Panelists will be given 5-10 minutes to make a basic statement about their work. The discussion will center on the significance of networks and whether they – and the collective behaviors of their machine or human nodes – can form the basis of compelling musical experiences. 1:00 pm – 2:30 pm: LUNCH 2:30 pm – 4:30 pm: Round Table discussion Panelists: LoVid, Tobias C. Van Veen, Adam Nash, Helen Thorington (moderator) Panelists will be given 5-10 minutes to make a basic statement about their work. Discussion will continue with emphasis on cross-over works (music w/images, text, video, video games etc.). Nash will speak to the symposium from Second Life, which he calls a “post-convergent medium.” Short performances by Jason Freeman with Andrew Beck and Mark T. Godfrey and Tobias C. Van Veen will be given during the course of the symposium. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 9. FROM: Rhizomer DATE: March 5, 2008 SUBJECT: FILMOBILE FILMOBILE CONFERENCE / SCREENINGS / EXHIBITION FILMOBILE is a network project bringing together the mobile phone industry, filmmakers and artists working with mobile devices. FILMOBILE is organising a gallery exhibition, cinema screenings and an international conference in London on the 4/5 April 2008. The events will explore the cultural impact brought about by new mobile technologies and will encourage debates between artists, filmmakers, the media and the new mobile industry. The FILMOBILE EXHIBITION will feature mobile art works by Mark Amerika, Camille Baker, Bebe Beard, Melissa Bliss, Elly Clarke, Romain Forquy, Steve Hawley, Brian House, Brooke A. Knight, Simon Longo, Anne Massoni, Kasia Molga, Sylvie Prasad, Michele Pred, Henry Reichhold, Max Schleser and Jo Thomas. The FILMOBILE CONFERENCE is a major international event including more than 22 speakers from the USA, South Africa, Australia, Germany, Italy and the UK exploring the prospects and possibilities of mobile technologies in the domain of art and media practice. A live web broadcast with the Mobilefest in Brazil is scheduled to take place during the conference. For detailed conference program see www.filmobile.net. As part of the conference FILMOBILE will present a CINEMA SCREENING, which will curate for the first time a dedicated world premiere program for mobile feature productions, including SMS Sugar Man, Why didn't anybody tell me it would become this bad in Afghanistan, Nausea and Max with a Kaitai. For detailed program information see: www.filmobile.net The events are free to attend but registration via email or text-message is essential. Email to info AT filmobile.net or text FILMOBILE to 81707 including your name and email address to register (texts cost 1 standard message). Conference and Screenings are at The Old Lumiere Cinema, 309 Regent Street, London W1R 8AL (tube Oxford Circus). Friday 4 April 16:00 – 18:00 FILMOBILE conference 18:30 – 20:30 FILMOBILE cinema screening 20:30 FILMOBILE wine reception Saturday 5 April 10:30 – 18:30 FILMOBILE conference Exhibition Private View: Thursday 3 April, 5pm – 8pm at London Gallery West, Watford Road, Harrow HA1 3TP (tube Northwick park) Featuring a live performance by Jo Thomas and Visual Rhythms Exhibition Opening Times: Daily 9am – 5pm, 4 April until 4 May at London Gallery West, Watford Road, Harrow HA1 3TP (tube Northwick park) FILMOBILE is supported by the University of Westminster, HEIF, London Westside, Centre for Research and Education in Art and Media (CREAM), London Gallery West, Immedia 24 and the new media eXchange. FILMOBILE is part of NODE.London Spring’08 season (http://nodel.org). + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 10. FROM: ric royer DATE: March 7, 2008 SUBJECT: Transmodern Festival 2008 The 5th Annual Transmodern Festival (Live.Art.Action), Baltimore’s largest avant performance festival, will be taking place this year on April 3rd through the 6th. The 2008 festival will feature over 50 artists and transform all three floors of Load of Fun studios with installations, performance, sound, film, mayhem, ecstasy, and radical culture. The festival will also present a special Sunday event, Pedestrian Services Exquisite, including a guided walking tour of North Avenue and beyond with site-specific, roaming, uncanny, planned/unplanned, and esoteric actions along the way. Some artists: Rahne Alexander (Performance Installation) Adrienne Anemone (Performance) Lauren Bender (Performance) Blevin Blectum / Kevin Blechdom (Performance) Jai Brooks (Performance) Theresa Columbus (Performance) EPHKLATCHEMERAL (performance) Chris Ferrera (Performance Installation) GOBOLUX (Performance/Installation) Dynasty Handbag (Performance) Evans Hankey (Performance) Bonnie Jones (Performance Installation) Katastrophe (Music Performance) Dina Kelberman (Film) Alice Kemp (Performance Installation) Jackie Milad (Installation) Kim Miller (Performance) Anna Oxygen (Music Performance) Spoon Popkin (Performance Installation) Carly Ptak (Performance) Adam Robinson (Performance) Ric Royer (Performance) Snacks (Installation) Erin Womack (Performance Installation - Going through to Saturday) Gillian Wylde (Performance Installation) + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 11. FROM: Miss Hiss DATE: March 11, 2008 SUBJECT: 24 Hour Riot at DEADTECH 24 HOUR RIOT An installation by Sabine Gruffat Opening: Friday March 14th , 8PM – 10PM Show runs until: Tuesday April 15th “With noise is born disorder, and its opposite: the world.” –Jacques Attali, Noise and Politics. 24 HOUR RIOT is a controlled demonstration of mediated upheaval. An interactive video installation emphasizes the problematic relationship between media imagery and political engagement by allowing viewers localized and temporary playback control of electronic noise machines and televised depictions of civil unrest within the hermetic space of the gallery. Viewers moving around the space randomly trigger a variety of dissonant electronic noises and in turn, incrementally provoke and effect minor disturbances in the diffusion of the video riot. Similar to the continuously archived news footage documenting uprisings worldwide, the ensuing outcry and dissonance of 24 Hour Riot is abetted and disaggregated by the technological conditions of its (non)release. Biography Sabine Gruffat is a media artist living and working in Madison, WI. She received her BFA from the Rhode Island School of Design and MFA from The School of The Art Institute of Chicago. Sabine’s films and videos have screened at festivals worldwide including the Image Forum Festival in Japan, the Split Film Festival in Croatia and the Ann Arbor Film Festival, the PDX Film Festival in Portland OR, The Gene Siskel Film Center in Chicago, and The Gramercy Theater in New York. Her photographs and video installations have been shown at the Zolla Lieberman Gallery in Chicago, Art In General and Hudson Franklin in New York, Brissot-Linz Gallery in Paris, the Rochester Art Center, and the Centro Cultural Telemar in Brazil. When she is not teaching at the University of Wisconsin-Madison, she spends her time rediscovering monuments, bicycle touring, wearing costumes, and making electronic music. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 12. FROM: ryan griffis DATE: March 8, 2008 SUBJECT: Touring Olympia Touring Olympia: Exposition Park, Los Angeles March 14th - 2:30pm Pasadena City College The Temporary Travel Office and artist Sarah Ross will be leading an experiential tour of Exposition Park in South Los Angeles, the site of the 1932 and 1984 Olympic Summer Games. The tour will look at the site from the vantage point of a post-2020 future, where the Olympic Games no longer exist due to a popular revolt against their waste and inequities. As tourists are transported South from Pasadena to Exposition Park and forward into the future, they will hear a narrated history of Olympism, the international movement responsible for the Games. Once at the Park, an exploratory walk of the grounds, now a memorial to the last Olympic Games, will conclude with a participatory reenactment of the last Olympic torch lighting ceremony. The audio tour and accompanying guide book will be available for purchase and are currently available as a free downloadable packet. http://temporarytraveloffice.net/olympia The tour is conducted in conjunction with the Anytime, Anyplace: Collective Art in the 21st Century program at Pasadena City College's Digital Media Center The symposium also features the Futurefarmers, Temporary Services and a keynote address by Grant Kester. More info: http://www.pasadena.edu/dmc-pcc/calendar/eventitem.cfm?ID=8710 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org is a 501(c)(3) nonprofit organization and an affiliate of the New Museum of Contemporary Art. Rhizome Digest is supported by grants from The Andy Warhol Foundation for the Visual Arts and with public funds from the New York State Council on the Arts, a state agency. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Digest is filtered by Ceci Moss (ceci.moss AT rhizome.org). ISSN: 1525-9110. Volume 13, number 10. Article submissions to list AT rhizome.org are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info AT rhizome.org. To unsubscribe from this list, visit http://rhizome.org/unsubscribe.php?lists=digest. Subscribers to Rhizome Digest are subject to the terms set out in the Member Agreement available online at http://rhizome.org/info/29.php. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + |
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