The Rhizome Digest merged into the Rhizome News in November 2008. These pages serve as an archive for 6-years worth of discussions and happenings from when the Digest was simply a plain-text, weekly email.

Subject: RHIZOME DIGEST: 1.16.08
Date: Wed, 16 Jan 2008 23:44:41 -0500

RHIZOME DIGEST: January 16, 2008


1. Tanya Shadle: Assistant/Associate Professor- Biomedical Art
2. Susan Evans: Assistant Professor in Contemporary Art/Critical Theory
3. Rhizomer: Call For Proposals: ARTE 2.0 VOCENTO
4. Rhizomer: Digital Matrix Commission
5. Johanna Taylor: BCAT/BRIC Rotunda Gallery Video Residency
6. Rhizomer: NanoArt 2007 International Online Competition
7. beata szechy: A.I.R. International Artists Residencies/FilmFest- Summer 2008- Hungary

8. marc garrett: Come and join us on Netbehaviour's current social networking experiment.
9. Rhizomer: CLOSE ENCOUNTERS: Central European Video Art
10. Caitlin Berrigan: Free Talk Free Art AT The Whitney with Caitlin Berrigan
11. Rhizomer: S-OS: Social Operating System

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FROM: Tanya Shadle
DATE: January 9, 2008
SUBJECT: Assistant/Associate Professor - Biomedical Art

The Cleveland Institute of Art is accepting nominations and applications for a Biomedical Art faculty member in the Institute’s Department of Biomedical Art. The Department is committed to providing the student with a solid foundation in the basic natural and medical science, new media theory, and applied and fine art intersections of Art, Science, and Technology. Students develop conceptual and technical skills in traditional and digitally integrated media.

The curriculum emphasizes: research & knowledge, levels of accuracy and visual communication, values of concept development and educational media, information design and theory, problem solving & critical thinking, cumulative technical skills and proficiency, innovative integration of both digital 2D/3D media and interactivity, and strong professional and presentation/oratory skills. The importance of collaborations, interdisciplinary research, and professional projects are integral to curricular goals and objectives. The Department of Biomedical Art supports a BFA program of study.

The Cleveland Institute of Art is seeking a qualified individual to help expand the current department faculty and fill a full-time ranked Assistant/Associate Professor position with a focus on natural science art, media theory, and technology.

• Minimum of Masters degree from accredited University or College of Arts, Sciences, and/or Technology.

• Record of professional activity, exhibitions, lectures, and published work.

• Administrative & leadership skills are essential; quality driven & experienced in project management, and strong ability to communicate within an interdisciplinary environment.

• Teaching experience at an institution of higher learning preferred.

• Ability to convey technical & conceptual information at different levels for students.

• Good organizational skills of both written and verbal lectures, research, and broad communications.

• Flexibility in communication style for different majors and faculty collaborations.

• Strong research and knowledge in natural sciences, art, media, and technology.

• Demonstrated technical proficiency in digital media with an emphasis on: 2D image development, knowledge of 3D imaging and integration into time-based media, web & interactive media, and aptitude to learn innovative technologies.

• A demonstrated knowledge in visual problem solving, research methods, science, art, and new media theory, technology, and professional experience in both client driven and fine art driven fields.

The Cleveland Institute of Art is a comprehensive school of art and design located in Cleveland’s culturally rich district of University Circle. As one of sixteen majors, the Department of Biomedical Art has developed strong curricular collaborations across the Institute’s departments and with surrounding institutions such as academics at Case Western Reserve University in Departments of Biology, Anatomy, Cognitive Science, etc. The ability to work with clinicians and professional medical illustrators at the Cleveland Clinic (an internationally known hospital and research facility) is also possible. The available resources of the immediate institutions are significant and range from superlative collections of the Cleveland Museum of Art, the Cleveland Museum of Natural History with a collection of skeletons of 3,000 humans and 1,000 primates, and the Cleveland Botanical Gardens, to the Allen Medical Library with a broad medical rare book collection that includes early editions of Vesalius and Albinus.

All full-time ranked faculty members participate in departmental and school-wide committees, curriculum development, advising of students, and assessment of programs.

Applications should include:
• Curriculum vitae.

• Portfolio of professional work (CD-ROM, DVD, & Website). No more than 20 examples demonstrating a broad depth of media & skills.

• Statement of philosophy on teaching.

• Vision statement as to the future direction of Art, Science, Technology, and the education of students involved in the contemporary evolution of the field of Biomedical Art (formerly Medical and Scientific Illustration, as it is nationally recognized.)

• Examples of student work (if applicable).

• Names and contact information of 3 references.

• SASE for return of materials.

Please mail all application materials:
Biomedical Art Search
Attn: Tanya Lee Shadle
The Cleveland Institute of Art
11141 East Boulevard
Cleveland, OH 44106

Position begins August 2008. The department’s review of candidates’ credentials is scheduled to begin January 15, 2008 and will continue until the position is filled. Incomplete applications will not be reviewed. The Institute offers a competitive salary and comprehensive benefits package. Academic transcripts and background check authorizations will be required for finalists. Rank and compensation are commensurate with experience and qualifications.

For further information please contact Tanya Lee Shadle at tshadle AT

The Cleveland Institute of Art is an affirmative action/equal opportunity employer.
Visit our website at

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FROM: Susan Evans
DATE: January 10, 2008
SUBJECT: Assistant Professor in Contemporary Art History/Critical Theory

Deadline: January 21, 2008

The Department of Art and Art History at Oakland University, Rochester, Michigan seeks a fulltime, tenure-track Assistant Professor in Art History with a specialization in Contemporary Art/ Critical Theory. Primary teaching duties include undergraduate courses in contemporary art history (with post-1970 emphasis) and critical theory. Candidates with an additional area of expertise in African, Oceanic, or Art of the Americas, will be looked upon favorably. Responsibilities will also include teaching an introductory survey course, a course in critical thinking and writing required of all art history majors, undergraduate seminars, and the senior capstone on a rotating basis. Departmental and university service is expected. Candidates must hold a Ph.D. in Art History; teaching experience at the undergraduate level is preferred.

The Department of Art and Art History offers undergraduate majors in art history and studio art, and includes the Oakland University Art Gallery, which presents changing exhibitions featuring both regional and international contemporary artists, historical art, and student thesis exhibitions. The department values sensitivity to global studies and interdisciplinary approaches in the humanities.

Applications should include a cover letter; CV; statement of teaching philosophy; writing sample; and three letters of recommendation. Materials should be postmarked by January 21, 2008 and addressed to Tamara Machmut-Jhashi, Search Committee Chair, Department of Art and Art History, Oakland University, Rochester, MI 48309-4401. Submission of application materials to machmutj AT as PDF attachments is encouraged. Preliminary interviews will be held at CAA. Oakland University is an Affirmative Action/Equal Opportunity Employer and encourages applications from women and minorities

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FROM: Rhizomer
DATE: January 11, 2008
SUBJECT: Call For Proposals: ARTE 2.0 VOCENTO

Deadline: January 31, 2008

Competition ARTE 2.0 VOCENTO: the art of exhibiting art online 15.000 euros prize

VOCENTO and ARCO FAIR (Madrid) invite proposals for innovative and experimental online platforms and effective web tools to foster and stimulate the presence, exhibition, communication and management of art on the Internet. The selected proposal will be awarded with a production budget of 15,000 euros (taxes included) to realise the project.

The competition wishes to encourage research in the field of social technologies and artistic practice, and more specifically to identify current needs and provide suitable solutions for art galleries in the context of the Internet that would benefit communication between art and society.

The proposal, a complete web concept, or environment, or tool, will be an application to be implemented by art galleries.

The winning proposal will be selected by an international Jury, made up of two experts in the field of art and technology: Joasia Krysa (KURATOR/UoP, UK) and Santiago Ortiz (artist,, Colombia), and a representative of VOCENTO (Spain). LaAgencia will act as coordinator of the award and jury secretary.

To participate in this competition, proposals must be registered by the person or the group in this website.

Production of the award-winning proposal has to be completed in a maximum period of six months. Once produced, a complete web concept, or environment, or tool, will be freely distributed for implementation by the participant galleries at ARCO´s 2008 edition and the galleries participating at ARCO´s 2009 edition.
Notification of the winner date: 16th of February 2008.

The Award prize of the winning proposal will receive a total of 15.000 euros budget (taxes included).

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Theatre/Video: Assistant Professor (tenure track to begin August 2008). MFA required, Ph.D. or equivalent professional and academic experience considered. Teaching responsibilities may include, but are not limited to, courses in: acting; voice/diction; on-camera performance; directing; script analysis and script writing; digital video production and editing. Other duties may include directing Theatre/Video productions; collaborating with colleagues on other productions and activities, mentoring students with their creative processes; departmental and institutional support. Qualified applicants must submit letter of interest (include email address if applicable), vita, unofficial transcripts, evidence of teaching effectiveness, recent examples of personal work and at least three letters of reference (to be sent directly by references or confidential placement file) to: Dr. Marilyn D. Hunt, Chair, Department of Communication Studies & Theatre, Missouri Western State University, 4525 Downs Drive, St. Joseph, Missouri 64507. Deadline: December 1, 2007 or until filled. Review of applications will begin immediately.
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FROM: Rhizomer
DATE: January 14, 2008
SUBJECT: Call for Proposals: Digital Matrix Commission

The Bronx Council on the Arts
The Digital Matrix Commissions Program

CALL FOR ARTISTS: Survival, Resistance, Gentrification
The Digital Matrix Commissions Program invites artists to create work in digital and new-media forms. Chosen artists will receive an honorarium of $5,000 and a nine-month commission. The commissioned project will be featured on Applicants can be located in any part of the world as the program is predominately internet based. The next commission period runs from January 1, 2009 to September 30, 2009.

This year, we request proposals that explore “mapping” as it relates to survival, resistance, and gentrification. How do artists respond to it? How do these issues affect community? How can the internet or web-based technology be used to address these concerns?

We encourage projects that present a South Bronx context. All projects must feature internet-based interactivity.

Monday, February, 4, 2008

We invite artists working in both traditional and digital media. Artists of color and women, and Bronx artists are especially encouraged to apply.

NOT ELIGIBLE: Previous recipients of the Longwood Cyber Residency or Digital Matrix Commissions, full-time graduate or undergraduate students enrolled in any degree program during the residency period, and recipients of any 2007 Bronx Council on the Arts’ awards: Bronx Recognizes Its Own (BRIO), Bronx Writers’ Center Fellowship, or Chapter One Fiction Award.
Questions: digitalmatrix AT

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Film/Video/Theatre: Assistant Professor, (tenure-track position to begin August 2008) – dynamic individual to teach courses in progressive integrated video/film and theatre department with emerging interdisciplinary graduate program in applied media arts. Department requires innovative professional to oversee the technical production of video, film, and live production and assist in curricular development of graduate classes. Required: M.F.A. in film, video, multi-media, theatre or closely related field. Must demonstrate evidence of quality teaching/advising and commitment to undergraduate and graduate education. Applicant must have expertise with cinematography, lighting, sound and live theatrical production. Applicant must also have a working knowledge in the Macintosh environment, including the major non-linear applications utilized in post-production. Applicant will teach courses as needed but must be able to teach film, video and live technical production. Qualified applicants must submit a letter of interest including e-mail address; vita; recent examples of personal work; and at least three letters of reference (to be sent directly by references or confidential placement file) to: Dr. M. D. Hunt, Chair, Department of Communication Studies & Theatre, Missouri Western State University, 4525 Downs Drive, Murphy Hall 207, St. Joseph, Missouri 64507. Deadline: December 1, 2007 or until filled. Review of applications will begin immediately. AA/EOE.

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FROM: Johanna Taylor
DATE: January 14, 2008
SUBJECT: BCAT/BRIC Rotunda Gallery Video Residency

The residency makes BCAT's state-of-the-art Media Center available at no cost, and providing training and technical assistance in video and digital production and post-production technologies. Artists select an area of focus, either Television Studio Production or Remote/Video Editing Production. A $200 honorarium will be provided to each resident.

The residency is open to Brooklyn-based artists interested in exploring video and/or multimedia as an artistic medium. Previous experience in video or multimedia is not required.

Residencies are held at BCAT, 647 Fulton Street in the BAM Cultural District.

2008 Application Deadline March 3, 2008
Notification March 18, 2008
Residencies will take place April 1 to December 19, 2008

Applications and more information available at

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Organizational memberships with Rhizome

Sign your library, university or organization up for a Rhizome organizational membership! Give your community access to the largest online archives of digital art and new media art-related writing, the opportunity to organize member-curated exhibitions, participate in critical discussion, community boards, and learn about residency, educational and professional possibilities. Rhizome also offers subsidized memberships for qualifying institutions with limited access to the Internet. Please visit for more information or contact sales AT

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FROM: Rhizomer
DATE: January 15, 2008


NanoArt is a new art discipline at the intersections of Art, Science and Technology, and relates to the micro or nanosculptures (atomic and molecular sculptures) created by artists or scientists through chemical or physical processes and visualized with powerful research tools like scanning electron or atomic force microscopes. The scientific images of these structures are captured and further processed using different artistic techniques to convert them into artworks showcased for large audiences.

37 nanoartists from 13 countries and 4 continents sent 121 NanoArt works to this second edition of the international competition. Public online voting is now open through March 31, 2008 at Judging is via the Internet and decided by the site visitors. This site was founded by the artist and scientist Cris Orfescu ( to promote worldwide the NanoArt as a reflection of the technological movement. NanoArt is a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century and should raise the public's awareness of Nanotechnology and its impact on our lives.

To vote for your favorite NanoArt work you can also visit directly the competition albums' site at and follow these 3 easy steps:
1. click on the album’s thumbnail to open album
2. click on the artwork’s thumbnail to see the large image
3. click on the number of stars you would like to rank that artwork

For more details, please send e-mail to info AT

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FROM: beat szechy
DATE: January 15, 2008
SUBJECT: A.I.R. International Aritsts Residencies/FilmFest- Summer 2008- Hungary

Call for artists - A.I.R. International Artists Residencies/FilmFest -Summer 2008- Hungary
The Hungarian Multicultural Center is currently accepting applications for the Budapest/Balatonfured - International Artist/Writer Residencies and FilmFest Program
Tuesday, May 20 - Thursday, June 12, 2008
Thuesday, June 17 - Thursday, July 10, 2008
Tuesday, July 15 - Thursday, August 7, 2008

Submission Deadline: Tuesday, March 25, 2008

The HMC invites interested visual artists, musicians, film makers and writers to submit application for its residency/FilmFest -2008.

Exhibition/FilmFest are arranged at Congress Center, Balatonfured.

Great opportunity for artists:
Culture is the true identity power. In this context the major role of the artists is to promote through art cultural diversity and preserve common values. Intercultural dialogue through art is an important instrument. Art is not a means - art is a space in which everything is possible, in which different times, subjects and objects, sometimes divergent, coexist. And not just coexist, but communicate and create values. Through art, culture, tolerance, initiating a dialogue among nations, among various artistic e expressions, a real dialog among real people. Culture communicates in the
language of heart, which is understood by everybody. For artists, communication is essential – both with the audience– the art consumer, and with representatives of national and international art groups.
For application form or questions please write to
bszechy AT

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Rhizome Commissions Program

Rhizome 2008 Commissions Announced!
This year, eleven emerging artists/ collectives were awarded commissions in support of new works of Internet-based art. The projects include distributed sound experiments, visually compelling interactive images that blend the sublime and the ridiculous, and pioneering applications that encourage the flowering of creativity across commercial areas of the web. Follow the link below for descriptions of and links to the eleven winning proposals, which also includes our first-ever Community Award, a project designed to enhance participation and communication on Rhizome.

The Rhizome Commissions Program is made possible by support from the Jerome Foundation in celebration of the Jerome Hill Centennial, the Greenwall Foundation, the Andy Warhol Foundation for the Visual Arts, and the New York City Department of Cultural Affairs. Additional support has been provided by members of the Rhizome community.

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FROM: marc garrett
DATE: January 11, 2008
SUBJECT: Come and join us on Netbehaviour's current social networking experiment.

Come and join us on Netbehaviour's current social networking experiment.

Yourselves and the Netbehaviour list are invited to join the Ning social network, to share in the active experience being part of a shared network that focuses on media art and connected creativities.

We do not know what's going to happen here, remember it is an experiment - but we do know that members can upload images, links, music, movies, add forums, promote and share their projects immediately. Not only to the Netbehaviour social networking community but also to other groups and organisations and platforms from this platform.

Lets explore this together and make something dynamic and more connected :-)

NetBehaviour - is an open community engaged in the process of sharing and actively evolving critical approaches, methods and ideas focused around contemporary networked media arts practice.

NetBehaviour- is for networked media artists, researchers, academics, soft groups, writers, code geeks, curators, net artists, media artists, independent thinkers, activists, net sufis, non nationalists and net mutualists.

NetBehaviour - encourages individuals, small groups of mutual interest and representatives of organisations to announce and promote their own projects and events on the list along with the exchange of related concepts/ideas/information/resources.

NetBehaviour - is a place where creative minds can share contemporary ideas and concepts, without either the censorship or endorsement of a centrally imposed hierarchical canon, stunting their creative interests. All disputes are settled by all subscribers in the public forum of the email list.
We are the medium - the context - the source of networked creativity.

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FROM: Rhizomer
DATE: January 11, 2008
SUBJECT: CLOSE ENCOUNTERS: Central European Video Art

Fine Arts Center Galleries, University of Rhode Island
invites you and your friends to the exhibition

Central European Video Art
(from the Czech and Slovak Republics, Poland and Hungary)

Guest Curated by Viera Levitt

Main Gallery, Fine Arts Center Galleries
University of Rhode Island, 105 Upper College Rd, Kingston
January 24 - February 10, 2008
Artists: Pavlina Fichta Cierna (b. 1967, Slovakia), Milena Dopitova (b. 1963, Czech Republic), Hajnal Nemeth (b. 1972, Hungary, lives and works in Berlin), Katerina Seda (b. 1977, Czech Republic), Artur Zmijewski (b. 1966, Poland)

& Historic Kingston Train Station, Amtrak Waiting Room
January 16 - February 10
Artist: Pavel Mrkus (b. 1970, Czech Republic)

Public Closing Reception with Remarks by the Curator: Sunday, February 10th 2 - 4 pm

The Fine Arts Center Galleries at the University of Rhode Island presents a video art program dedicated to contemporary works created by five prominent Central European artists. In this exhibition, Guest curator Viera Levitt, attempting to find themes within the art of this region that are deeply human and capable of resonating with the American public, has emphasized stories of vulnerability and fragility.
An innovative part of this exhibition is the showing of the video work "Seagull" (2005, 4 min.) by Pavel Mrkus, in the Historic Kingston Train Station, Amtrak Waiting Room, beginning January 16. Partners of this complementary program are the Friends of the Kingston Station and Amtrak. A Program Guide accompanies the exhibitions at both sites.
Complementing the video exhibition, the Corridor Gallery showcases Staged Photographs by a leading photographer from the Slovak Republic, Pavel Pecha (January 28 - February 28, 2008).

The video exhibition is guest curated by Independent Curator Viera Levitt (formerly Jancekova). She is a native Slovak who moved to Rhode Island two years ago. From 1997-2005 Viera Levitt was director/curator of the contemporary art showcase, Jan Koniarek Gallery, located in the historic town of Trnava. She was the youngest director ever in a public art museum in the Slovak Republic. Levitt has curated or co-curated more than 30 exhibitions in Slovakia, the Czech Republic, Germany, Austria, Luxembourg and the USA.

Special thanks
In New York: Apexart, Czech Center, Hungarian Cultural Institute, Anne Arden McDonald, Polish Institute, and Steven Rand; in Rhode Island: Jo-Ann Conklin, David Winton Bell Gallery, Brown University, Courthouse Center for the Arts, West Kingston, Friends of Kingston Station, Kingston, and Mini Grant, The Rhode Island Foundation, Providence

More information and the press release:
Reviewers: To download images for press purposes or the pdf version of the poster, please visit You can also reach the curator at vieralevitt AT

Main Gallery, Fine Arts Center Galleries University of Rhode Island, 105 Upper College Rd, Kingston
Phone: 874.2775. Gallery hours are T-F, 12 noon - 4 pm & Sat. - Sun., 1:00 - 4:00 pm; Corridor Gallery hours are daily, 9 am - 9 pm.
To arrange group tours please contact us at 401.874.9628 or facgalls AT
Historic Kingston Train Station's Amtrak Waiting Room is open daily during train service.

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FROM: Caitlin Berrigan
DATE: January 14, 2008
SUBJECT: Free Talk Free Art AT The Whitney with Caitlin Berrigan

*Apologies for cross-postings*

Friday, January 25th, 7pm (Free)
Lower Gallery
Whitney Museum of American Art
945 Madison Avenue at 75th Street

Whitney Initial Public Offerings Presents
an artist talk by Caitlin Berrigan

in conversation with Boo Chapple, artist-in-residence at RMIT, Melbourne, Australia
& Kathleen Forde, curator at the Experimental Media and Performing Arts Center (EMPAC), Rensselaer Polytechnic Institute, Troy, New York

A new commissioned multiple artwork, Hepatophagy, will be given away to all who come, featuring sculpted La Tene Chocolate.

>From chocolates made in the shape of the protein structure of the hepatitis C virus to silicone objects cast from the negative space of a mouth, artist Caitlin Berrigan probes bodily systems and pathologies to create works that address the simultaneous medicalization and eroticization of the human form. The results, she says, are "quietly disturbing works of subtle humor and irony that speak to our violent and conflicted relationship to the body."

Initial Public Offerings (I.P.O.): New Objects, New Audiences features artists who engage, challenge, or rethink modes of creation, circulation, and scale. Each artist in the series is commissioned to develop multiples that will be made available--free of charge--to the Whitney's public audiences.

Free with Museum admission, which is pay-what-you-wish on Fridays, 6-9pm. You may register by going to & clicking on the link to the talk on the front page. Seating is available on a first-come, first-served basis.


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FROM: Rhizomer
DATE: January 15, 2008
SUBJECT: S-OS: Social Operating System

Exhibition at Plymouth Arts Centre, UK
S-OS: Social Operating System

8 February – 6 April 2008
i-DAT, in collaboration with Plymouth Arts Centre, presents: ‘S-OS: a Social Operating System’ for the city of Plymouth.

S-OS is a collection of creative interventions and strategic manifestations that provides a new and more meaningful ‘algorithm’ for modeling ‘Social Exchange’ and proposes a more effective ‘measure’ for ‘Quality of Life’.

The S-OS project provides an Operating System for the social life of the City of Plymouth. It superimposes the notion of an ‘OnLine’ Social Operating System onto ‘RealLife’ human interactions, modeling, analyzing and making visible the social exchange within the City.

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Rhizome Digest is supported by grants from The Andy Warhol Foundation for the Visual Arts and with public funds from the New York State Council on the Arts, a state agency.

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Rhizome Digest is filtered by Ceci Moss (ceci.moss AT ISSN: 1525-9110. Volume 13, number 3. Article submissions to list AT are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info AT

To unsubscribe from this list, visit Subscribers to Rhizome Digest are subject to the terms set out in the Member Agreement available online at

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